Seductive Snakes and Asexual Angels: Queer Undercurrents in Harriet Prescott Spofford’s “Desert Sands”

Harriet Prescott Spofford’s 1863 short story “Desert Sands” recounts, at first glance, the jealous rivalry between an artist’s two muses. Yet when one applies a thin layer of turpentine to the top layer of the canvas that makes up the narrative of “Desert Sands,” it becomes clear that there is anoth...

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Main Author: H.J.E. Champion
Format: Article
Language:English
Published: European Association for American Studies 2019-11-01
Series:European Journal of American Studies
Subjects:
Online Access:https://journals.openedition.org/ejas/15192
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author H.J.E. Champion
author_facet H.J.E. Champion
author_sort H.J.E. Champion
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description Harriet Prescott Spofford’s 1863 short story “Desert Sands” recounts, at first glance, the jealous rivalry between an artist’s two muses. Yet when one applies a thin layer of turpentine to the top layer of the canvas that makes up the narrative of “Desert Sands,” it becomes clear that there is another, much more unusual, image underneath. This article proposes a palimpsestic reading of the short story, one which attempts to underline the queer nature of the relationship between the muses Eos and Vespasia and goes on to pose questions about gender roles, deviant sexuality and transgression as related to women in the nineteenth century.
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institution Kabale University
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spelling doaj-art-6e1dbea3859b4c72a1b78cfc07fd2fb12025-01-06T09:09:50ZengEuropean Association for American StudiesEuropean Journal of American Studies1991-93362019-11-0114310.4000/ejas.15192Seductive Snakes and Asexual Angels: Queer Undercurrents in Harriet Prescott Spofford’s “Desert Sands”H.J.E. ChampionHarriet Prescott Spofford’s 1863 short story “Desert Sands” recounts, at first glance, the jealous rivalry between an artist’s two muses. Yet when one applies a thin layer of turpentine to the top layer of the canvas that makes up the narrative of “Desert Sands,” it becomes clear that there is another, much more unusual, image underneath. This article proposes a palimpsestic reading of the short story, one which attempts to underline the queer nature of the relationship between the muses Eos and Vespasia and goes on to pose questions about gender roles, deviant sexuality and transgression as related to women in the nineteenth century.https://journals.openedition.org/ejas/15192OrientalismgenderhomosexualityHarriet Prescott SpoffordQueer theoryAngel in the House
spellingShingle H.J.E. Champion
Seductive Snakes and Asexual Angels: Queer Undercurrents in Harriet Prescott Spofford’s “Desert Sands”
European Journal of American Studies
Orientalism
gender
homosexuality
Harriet Prescott Spofford
Queer theory
Angel in the House
title Seductive Snakes and Asexual Angels: Queer Undercurrents in Harriet Prescott Spofford’s “Desert Sands”
title_full Seductive Snakes and Asexual Angels: Queer Undercurrents in Harriet Prescott Spofford’s “Desert Sands”
title_fullStr Seductive Snakes and Asexual Angels: Queer Undercurrents in Harriet Prescott Spofford’s “Desert Sands”
title_full_unstemmed Seductive Snakes and Asexual Angels: Queer Undercurrents in Harriet Prescott Spofford’s “Desert Sands”
title_short Seductive Snakes and Asexual Angels: Queer Undercurrents in Harriet Prescott Spofford’s “Desert Sands”
title_sort seductive snakes and asexual angels queer undercurrents in harriet prescott spofford s desert sands
topic Orientalism
gender
homosexuality
Harriet Prescott Spofford
Queer theory
Angel in the House
url https://journals.openedition.org/ejas/15192
work_keys_str_mv AT hjechampion seductivesnakesandasexualangelsqueerundercurrentsinharrietprescottspoffordsdesertsands