La pluie de sang au Moyen Âge. Perspectives culturelles sur une expérience cosmologique engleza

Observed here through the lenses of the history of mentalities and the environmental history, the meteorological phenomenon of red rain appears to have been discerned from several points of view by the medieval man. Due to its reddish colour, this peculiar rain was most often perceived as real blood...

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Main Author: Andrei Mirea
Format: Article
Language:deu
Published: “George Enescu” National University of Arts of Iași 2021-11-01
Series:Anastasis: Research in Medieval Culture and Art
Subjects:
Online Access:https://anastasis-review.ro/wp-content/uploads/ARMCA-2021-VIII-2-03_Andrei-Mirea.pdf
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author Andrei Mirea
author_facet Andrei Mirea
author_sort Andrei Mirea
collection DOAJ
description Observed here through the lenses of the history of mentalities and the environmental history, the meteorological phenomenon of red rain appears to have been discerned from several points of view by the medieval man. Due to its reddish colour, this peculiar rain was most often perceived as real blood. Although generally associated with a range of rather negative emotions or events, the shower of blood meant an experience felt differently by various communities: predicting death and war, blood rain could also signify the injures of the combatants, the bodily suffering of Christ, the end of the world, God’s anger and his divine punishment, or simply a natural phenomenon caused by material and physical factors. If, for the Early Middle Ages, only brief passages from chronicles inform us about these phenomena, beginning with the 12th-13th centuries a scientific discourse concerning the blood rain is formulated in Europe. In some illuminated religious manuscripts, biblical episodes depicting showers of blood and fire were represented at least since the 11th century. From the 15th century on, the iconography of the blood rain diversifies and, at the same epoch, the motif of the rain of blood appears in some private devotional books. The 16th century amplifies the means of expression on the rains of blood, through brochures and flyers, a rich compendia of prodigy, or through scientific and popular works devoted to this phenomenon. In the Renaissance, the blood rain turns into an artistic and literary motif. By looking at some biblical accounts that echoed in the medieval culture, at the discourses articulated by several chroniclers, or by trying to grasp the evolution of the learned discourse addressing the blood rain, this article aims to assess the medieval perspectives touching the phenomenon of red rain.
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spelling doaj-art-6dceb8c9472e4d3c9fefe0cda7d35d8a2025-08-20T02:52:31Zdeu“George Enescu” National University of Arts of IașiAnastasis: Research in Medieval Culture and Art2392-862X2392-94722021-11-01VIII2397410.35218/armca.2021.2.03La pluie de sang au Moyen Âge. Perspectives culturelles sur une expérience cosmologique englezaAndrei Mirea0Étudiant en Mastère d’Études Médiévales, II-e année, Université de Bucarest, Faculté d’HistoireObserved here through the lenses of the history of mentalities and the environmental history, the meteorological phenomenon of red rain appears to have been discerned from several points of view by the medieval man. Due to its reddish colour, this peculiar rain was most often perceived as real blood. Although generally associated with a range of rather negative emotions or events, the shower of blood meant an experience felt differently by various communities: predicting death and war, blood rain could also signify the injures of the combatants, the bodily suffering of Christ, the end of the world, God’s anger and his divine punishment, or simply a natural phenomenon caused by material and physical factors. If, for the Early Middle Ages, only brief passages from chronicles inform us about these phenomena, beginning with the 12th-13th centuries a scientific discourse concerning the blood rain is formulated in Europe. In some illuminated religious manuscripts, biblical episodes depicting showers of blood and fire were represented at least since the 11th century. From the 15th century on, the iconography of the blood rain diversifies and, at the same epoch, the motif of the rain of blood appears in some private devotional books. The 16th century amplifies the means of expression on the rains of blood, through brochures and flyers, a rich compendia of prodigy, or through scientific and popular works devoted to this phenomenon. In the Renaissance, the blood rain turns into an artistic and literary motif. By looking at some biblical accounts that echoed in the medieval culture, at the discourses articulated by several chroniclers, or by trying to grasp the evolution of the learned discourse addressing the blood rain, this article aims to assess the medieval perspectives touching the phenomenon of red rain. https://anastasis-review.ro/wp-content/uploads/ARMCA-2021-VIII-2-03_Andrei-Mirea.pdfblood rainred rainmedieval culturebiblehistory of mentalitiesprodigy
spellingShingle Andrei Mirea
La pluie de sang au Moyen Âge. Perspectives culturelles sur une expérience cosmologique engleza
Anastasis: Research in Medieval Culture and Art
blood rain
red rain
medieval culture
bible
history of mentalities
prodigy
title La pluie de sang au Moyen Âge. Perspectives culturelles sur une expérience cosmologique engleza
title_full La pluie de sang au Moyen Âge. Perspectives culturelles sur une expérience cosmologique engleza
title_fullStr La pluie de sang au Moyen Âge. Perspectives culturelles sur une expérience cosmologique engleza
title_full_unstemmed La pluie de sang au Moyen Âge. Perspectives culturelles sur une expérience cosmologique engleza
title_short La pluie de sang au Moyen Âge. Perspectives culturelles sur une expérience cosmologique engleza
title_sort la pluie de sang au moyen age perspectives culturelles sur une experience cosmologique engleza
topic blood rain
red rain
medieval culture
bible
history of mentalities
prodigy
url https://anastasis-review.ro/wp-content/uploads/ARMCA-2021-VIII-2-03_Andrei-Mirea.pdf
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