Metamorphoses of the Gold Bug: Soviet Illustrations for Edgar Poe's Prose
The paper deals with illustrations for Edgar Allan Poe’s short stories, created by Soviet artists of different generations and published in different decades, from the New Economic Policy period to perestroika. Our main focus are the illustrations of Dmitri Mitrokhin, Alexandr Silin, Nikolai Kuzmin,...
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Russian Academy of Sciences, A.M. Gorky Institute of World Literature
2024-12-01
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| Series: | Литература двух Америк |
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| Online Access: | https://litda.ru/images/2024-17/07-Moroz.pdf |
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| author | Nina A. Moroz |
| author_facet | Nina A. Moroz |
| author_sort | Nina A. Moroz |
| collection | DOAJ |
| description | The paper deals with illustrations for Edgar Allan Poe’s short stories, created by Soviet artists of different generations and published in different decades, from the New Economic Policy period to perestroika. Our main focus are the illustrations of Dmitri Mitrokhin, Alexandr Silin, Nikolai Kuzmin, Vladimir Noskov and Sergey Sokolov. Our aim was not only to describe unique personal style of each artist or to analyze the complex relationship between the illustrations and Poe’s text, but also to put the illustrations in historical and cultural context, find their correlation with the publishers’ preferences, market or censorship requirements, and, in general, the idea of Poe’s place in a Soviet library. Poe’s “tales of ratiocination”, in particular “The Gold Bug”, used to be the main object of Soviet illustrators’ interest for a long period of time. Interestingly enough, they avoid plain entertaining position and take various approaches, e.g. exoticism in Mitrokhin’s landscapes, Kuzmin’s representation of transience of life, or references to film aesthetics in Sokolov’s illustrations. Poe’s Gothic tales were rarely illustrated in USSR. Alexandr Silin’s illustrations of the 1920s were strongly influenced by British book design of the previous decades. Vladimir Noskov created his metaphorical illustrations for a Soviet book series “Library of World Literature” (“Biblioteka vsemirnoi literatury”, 1976). Soviet illustrated editions of Poe’s prose in 1960–1970s reflect his status of a canonizes “classic” author for both adult and young adult readers. Especially important are the illustrations in various book series, from prestigious “Library of World Literature” to popular “World of Adventures” (“Mir priklucheniy”). |
| format | Article |
| id | doaj-art-6c30efcf6b1b4df8874acc94dafa3c0a |
| institution | Kabale University |
| issn | 2541-7894 2542-243X |
| language | deu |
| publishDate | 2024-12-01 |
| publisher | Russian Academy of Sciences, A.M. Gorky Institute of World Literature |
| record_format | Article |
| series | Литература двух Америк |
| spelling | doaj-art-6c30efcf6b1b4df8874acc94dafa3c0a2024-12-18T15:18:34ZdeuRussian Academy of Sciences, A.M. Gorky Institute of World LiteratureЛитература двух Америк2541-78942542-243X2024-12-011715417410.22455/2541-7894-2024-17-154-174Metamorphoses of the Gold Bug: Soviet Illustrations for Edgar Poe's ProseNina A. Moroz0https://orcid.org/0009-0008-0365-0486Lomonosov Moscow State UniversityThe paper deals with illustrations for Edgar Allan Poe’s short stories, created by Soviet artists of different generations and published in different decades, from the New Economic Policy period to perestroika. Our main focus are the illustrations of Dmitri Mitrokhin, Alexandr Silin, Nikolai Kuzmin, Vladimir Noskov and Sergey Sokolov. Our aim was not only to describe unique personal style of each artist or to analyze the complex relationship between the illustrations and Poe’s text, but also to put the illustrations in historical and cultural context, find their correlation with the publishers’ preferences, market or censorship requirements, and, in general, the idea of Poe’s place in a Soviet library. Poe’s “tales of ratiocination”, in particular “The Gold Bug”, used to be the main object of Soviet illustrators’ interest for a long period of time. Interestingly enough, they avoid plain entertaining position and take various approaches, e.g. exoticism in Mitrokhin’s landscapes, Kuzmin’s representation of transience of life, or references to film aesthetics in Sokolov’s illustrations. Poe’s Gothic tales were rarely illustrated in USSR. Alexandr Silin’s illustrations of the 1920s were strongly influenced by British book design of the previous decades. Vladimir Noskov created his metaphorical illustrations for a Soviet book series “Library of World Literature” (“Biblioteka vsemirnoi literatury”, 1976). Soviet illustrated editions of Poe’s prose in 1960–1970s reflect his status of a canonizes “classic” author for both adult and young adult readers. Especially important are the illustrations in various book series, from prestigious “Library of World Literature” to popular “World of Adventures” (“Mir priklucheniy”).https://litda.ru/images/2024-17/07-Moroz.pdfedgar poeamerican literatureillustrated booksbook artsoviet publishing industry |
| spellingShingle | Nina A. Moroz Metamorphoses of the Gold Bug: Soviet Illustrations for Edgar Poe's Prose Литература двух Америк edgar poe american literature illustrated books book art soviet publishing industry |
| title | Metamorphoses of the Gold Bug: Soviet Illustrations for Edgar Poe's Prose |
| title_full | Metamorphoses of the Gold Bug: Soviet Illustrations for Edgar Poe's Prose |
| title_fullStr | Metamorphoses of the Gold Bug: Soviet Illustrations for Edgar Poe's Prose |
| title_full_unstemmed | Metamorphoses of the Gold Bug: Soviet Illustrations for Edgar Poe's Prose |
| title_short | Metamorphoses of the Gold Bug: Soviet Illustrations for Edgar Poe's Prose |
| title_sort | metamorphoses of the gold bug soviet illustrations for edgar poe s prose |
| topic | edgar poe american literature illustrated books book art soviet publishing industry |
| url | https://litda.ru/images/2024-17/07-Moroz.pdf |
| work_keys_str_mv | AT ninaamoroz metamorphosesofthegoldbugsovietillustrationsforedgarpoesprose |