Chroni(qu)es new-yorkaises : City Life de Steve Reich

This article analyzes Steve Reich’s City Life, a 1995 piece in which the American composer blends noises and voices he recorded on the streets in New York City with the sounds of an instrumental ensemble. We try to demonstrate that in spite of appearances, Reich does not merely propose a soundscape...

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Main Author: Antoine CAZÉ
Format: Article
Language:English
Published: Laboratoire d’Etudes et de Recherches sur le Monde Anglophone (LERMA) 2010-03-01
Series:E-REA
Subjects:
Online Access:https://journals.openedition.org/erea/1226
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author Antoine CAZÉ
author_facet Antoine CAZÉ
author_sort Antoine CAZÉ
collection DOAJ
description This article analyzes Steve Reich’s City Life, a 1995 piece in which the American composer blends noises and voices he recorded on the streets in New York City with the sounds of an instrumental ensemble. We try to demonstrate that in spite of appearances, Reich does not merely propose a soundscape of the city or attempt to fit any preconceived sound rendition of a city; rather, we argue that through this work, he develops a properly political practice and theory of the city allowing him to go further in the direction he first explored back in the 1960s with It’s Gonna Rain. Along the lines of his customary composition techniques involving repetition and phasing, Reich has build City Life as a transposition of the multiple and asynchronous temporalities characterizing a city: his chronicle of New York sounds thus becomes a real chronotope allowing him to give back its voice to the urban community while offering a fresh perspective upon the classical music concert as it relates with the city space in which it takes place.
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spelling doaj-art-6bdaaf92499b4b359ac78289d76e27732025-01-09T12:53:58ZengLaboratoire d’Etudes et de Recherches sur le Monde Anglophone (LERMA)E-REA1638-17182010-03-017210.4000/erea.1226Chroni(qu)es new-yorkaises : City Life de Steve ReichAntoine CAZÉThis article analyzes Steve Reich’s City Life, a 1995 piece in which the American composer blends noises and voices he recorded on the streets in New York City with the sounds of an instrumental ensemble. We try to demonstrate that in spite of appearances, Reich does not merely propose a soundscape of the city or attempt to fit any preconceived sound rendition of a city; rather, we argue that through this work, he develops a properly political practice and theory of the city allowing him to go further in the direction he first explored back in the 1960s with It’s Gonna Rain. Along the lines of his customary composition techniques involving repetition and phasing, Reich has build City Life as a transposition of the multiple and asynchronous temporalities characterizing a city: his chronicle of New York sounds thus becomes a real chronotope allowing him to give back its voice to the urban community while offering a fresh perspective upon the classical music concert as it relates with the city space in which it takes place.https://journals.openedition.org/erea/1226New YorkSteve Reichmusicchroniclingpolitics
spellingShingle Antoine CAZÉ
Chroni(qu)es new-yorkaises : City Life de Steve Reich
E-REA
New York
Steve Reich
music
chronicling
politics
title Chroni(qu)es new-yorkaises : City Life de Steve Reich
title_full Chroni(qu)es new-yorkaises : City Life de Steve Reich
title_fullStr Chroni(qu)es new-yorkaises : City Life de Steve Reich
title_full_unstemmed Chroni(qu)es new-yorkaises : City Life de Steve Reich
title_short Chroni(qu)es new-yorkaises : City Life de Steve Reich
title_sort chroni qu es new yorkaises city life de steve reich
topic New York
Steve Reich
music
chronicling
politics
url https://journals.openedition.org/erea/1226
work_keys_str_mv AT antoinecaze chroniquesnewyorkaisescitylifedestevereich