Eldorado Revisited: Spanish Film-makers in Reagan’s America
In the early 1980s Spanish directors José Luis Borau and Bigas Luna produced two films – 0n the Line and Reborn respectively – that offered a trans-national perspective on American society of the early Reaganite 1980s. On the Line focussed on the issue of trafficking Mexican immigrants; Reborn dealt...
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| Format: | Article |
| Language: | English |
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European Association for American Studies
2010-11-01
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| Series: | European Journal of American Studies |
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| Online Access: | https://journals.openedition.org/ejas/8787 |
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| _version_ | 1841558180369268736 |
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| author | Vicente J. Benet |
| author_facet | Vicente J. Benet |
| author_sort | Vicente J. Benet |
| collection | DOAJ |
| description | In the early 1980s Spanish directors José Luis Borau and Bigas Luna produced two films – 0n the Line and Reborn respectively – that offered a trans-national perspective on American society of the early Reaganite 1980s. On the Line focussed on the issue of trafficking Mexican immigrants; Reborn dealt with tele-evangelism. Both narratives were presented as challenges to American unity as identified in the conservative social and cultural values of the time. Each film raised the issue of social hybridity and raised the question – to which both gave ambiguous answers – of whether different cultures can co-exist within a unified, monolithic American culture. |
| format | Article |
| id | doaj-art-6bc2cf5377b74234b0c99d4eb13429ae |
| institution | Kabale University |
| issn | 1991-9336 |
| language | English |
| publishDate | 2010-11-01 |
| publisher | European Association for American Studies |
| record_format | Article |
| series | European Journal of American Studies |
| spelling | doaj-art-6bc2cf5377b74234b0c99d4eb13429ae2025-01-06T09:09:55ZengEuropean Association for American StudiesEuropean Journal of American Studies1991-93362010-11-015410.4000/ejas.8787Eldorado Revisited: Spanish Film-makers in Reagan’s AmericaVicente J. BenetIn the early 1980s Spanish directors José Luis Borau and Bigas Luna produced two films – 0n the Line and Reborn respectively – that offered a trans-national perspective on American society of the early Reaganite 1980s. On the Line focussed on the issue of trafficking Mexican immigrants; Reborn dealt with tele-evangelism. Both narratives were presented as challenges to American unity as identified in the conservative social and cultural values of the time. Each film raised the issue of social hybridity and raised the question – to which both gave ambiguous answers – of whether different cultures can co-exist within a unified, monolithic American culture.https://journals.openedition.org/ejas/8787national identitySpanish directors in Americatransnational filmMexican borderReagan Eraconservatism |
| spellingShingle | Vicente J. Benet Eldorado Revisited: Spanish Film-makers in Reagan’s America European Journal of American Studies national identity Spanish directors in America transnational film Mexican border Reagan Era conservatism |
| title | Eldorado Revisited: Spanish Film-makers in Reagan’s America |
| title_full | Eldorado Revisited: Spanish Film-makers in Reagan’s America |
| title_fullStr | Eldorado Revisited: Spanish Film-makers in Reagan’s America |
| title_full_unstemmed | Eldorado Revisited: Spanish Film-makers in Reagan’s America |
| title_short | Eldorado Revisited: Spanish Film-makers in Reagan’s America |
| title_sort | eldorado revisited spanish film makers in reagan s america |
| topic | national identity Spanish directors in America transnational film Mexican border Reagan Era conservatism |
| url | https://journals.openedition.org/ejas/8787 |
| work_keys_str_mv | AT vicentejbenet eldoradorevisitedspanishfilmmakersinreagansamerica |