Sound, Voice, Speech – and Silence – in Old Norse Culture and Ecology

The main aim of this article is to study the relationship between various types of sounds, voices, and speeches, as described in Old Norse literature, and more specifically to investigate what sounds fill the presumed silence when humans chose not to speak. Using the three-partite sonic system, as p...

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Main Author: Stefka G. Eriksen
Format: Article
Language:English
Published: Novus 2024-12-01
Series:Collegium Medievale
Online Access:https://ojs.novus.no/index.php/CM/article/view/2336
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author Stefka G. Eriksen
author_facet Stefka G. Eriksen
author_sort Stefka G. Eriksen
collection DOAJ
description The main aim of this article is to study the relationship between various types of sounds, voices, and speeches, as described in Old Norse literature, and more specifically to investigate what sounds fill the presumed silence when humans chose not to speak. Using the three-partite sonic system, as presented in the so-called Second and Third Old Norse Grammatical Treatises as a starting point, the article moves on to deploy the theoretical framework of embodied, embedded, extended and enacted cognition (4E cognition) as a structural scaffolding for the analysis. Examples from various translated and indigenous Old Norse text show that the lack of human speech is usually complemented by the sounds and effects of human actions, their body language, the tools they use, as well as the sounds of natural, supernatural, and divine agencies. The article offers a new understanding of the integral value and symbolism of human silence in Old Norse literature and culture, thus highlighting its significance in an ecology that otherwise abounds with a rich variety of sounds and voices.
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spelling doaj-art-6b97b9a38c764e5a90d87d01e6ce3ab22024-12-18T14:06:12ZengNovusCollegium Medievale0801-92822387-67002024-12-0137Sound, Voice, Speech – and Silence – in Old Norse Culture and EcologyStefka G. Eriksen0Universitetet i OsloThe main aim of this article is to study the relationship between various types of sounds, voices, and speeches, as described in Old Norse literature, and more specifically to investigate what sounds fill the presumed silence when humans chose not to speak. Using the three-partite sonic system, as presented in the so-called Second and Third Old Norse Grammatical Treatises as a starting point, the article moves on to deploy the theoretical framework of embodied, embedded, extended and enacted cognition (4E cognition) as a structural scaffolding for the analysis. Examples from various translated and indigenous Old Norse text show that the lack of human speech is usually complemented by the sounds and effects of human actions, their body language, the tools they use, as well as the sounds of natural, supernatural, and divine agencies. The article offers a new understanding of the integral value and symbolism of human silence in Old Norse literature and culture, thus highlighting its significance in an ecology that otherwise abounds with a rich variety of sounds and voices.https://ojs.novus.no/index.php/CM/article/view/2336
spellingShingle Stefka G. Eriksen
Sound, Voice, Speech – and Silence – in Old Norse Culture and Ecology
Collegium Medievale
title Sound, Voice, Speech – and Silence – in Old Norse Culture and Ecology
title_full Sound, Voice, Speech – and Silence – in Old Norse Culture and Ecology
title_fullStr Sound, Voice, Speech – and Silence – in Old Norse Culture and Ecology
title_full_unstemmed Sound, Voice, Speech – and Silence – in Old Norse Culture and Ecology
title_short Sound, Voice, Speech – and Silence – in Old Norse Culture and Ecology
title_sort sound voice speech and silence in old norse culture and ecology
url https://ojs.novus.no/index.php/CM/article/view/2336
work_keys_str_mv AT stefkageriksen soundvoicespeechandsilenceinoldnorsecultureandecology