Desdemona’s changing voices: from the “Willow Song” to the “Canzona del Salice”
The Willow Song in Shakespeare’s Othello involves a complex intertwining of mimetic processes: a boy actor enacts the female Desdemona, who imitates a maid called Barbary singing an old ditty, while the original singer referred to herself as a singing (or sighing) lover sitting at the foot of a tree...
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Main Author: | Chantal Schütz |
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Format: | Article |
Language: | English |
Published: |
Centre de Recherche "Texte et Critique de Texte"
2013-06-01
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Series: | Sillages Critiques |
Subjects: | |
Online Access: | https://journals.openedition.org/sillagescritiques/2847 |
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