Horror as Real and the Real as Horror: Ghosts of the Desaparecidos in Argentina

This article explores the fear of political otherness in Mariana Enríquez’s short story “The Inn” in which the author combines the reality of Argentine history with elements of the gothic horror style while maintaining a sharp focus on social criticism. “The Inn” blurs the lines between the reality...

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Main Author: Cristina Santos
Format: Article
Language:English
Published: Centro de Estudos Sociais da Universidade de Coimbra 2019-12-01
Series:e-cadernos ces
Subjects:
Online Access:https://journals.openedition.org/eces/4723
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author Cristina Santos
author_facet Cristina Santos
author_sort Cristina Santos
collection DOAJ
description This article explores the fear of political otherness in Mariana Enríquez’s short story “The Inn” in which the author combines the reality of Argentine history with elements of the gothic horror style while maintaining a sharp focus on social criticism. “The Inn” blurs the lines between the reality of a not-so-distant past and elements of the supernatural to delve into an Argentine history scarred by the last dictatorship. This article seeks to examine the use of the figure of the desaparecido as representative of a politics of erasure of the political other that has been systematically censored and unacknowledged. It is also an examination of the re-membering and re-inscribing of the desaparecido as an intergenerational cultural exercise to counteract an institutionalized narrative of erasure and forgetting.
format Article
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issn 1647-0737
language English
publishDate 2019-12-01
publisher Centro de Estudos Sociais da Universidade de Coimbra
record_format Article
series e-cadernos ces
spelling doaj-art-67cd3b8dc4e04a44a19554dd860c66ba2024-12-09T14:13:05ZengCentro de Estudos Sociais da Universidade de Coimbrae-cadernos ces1647-07372019-12-013210.4000/eces.4723Horror as Real and the Real as Horror: Ghosts of the Desaparecidos in ArgentinaCristina SantosThis article explores the fear of political otherness in Mariana Enríquez’s short story “The Inn” in which the author combines the reality of Argentine history with elements of the gothic horror style while maintaining a sharp focus on social criticism. “The Inn” blurs the lines between the reality of a not-so-distant past and elements of the supernatural to delve into an Argentine history scarred by the last dictatorship. This article seeks to examine the use of the figure of the desaparecido as representative of a politics of erasure of the political other that has been systematically censored and unacknowledged. It is also an examination of the re-membering and re-inscribing of the desaparecido as an intergenerational cultural exercise to counteract an institutionalized narrative of erasure and forgetting.https://journals.openedition.org/eces/4723memoryArgentinadisappearedhaunted geographyMariana Enríquezspectral spaces
spellingShingle Cristina Santos
Horror as Real and the Real as Horror: Ghosts of the Desaparecidos in Argentina
e-cadernos ces
memory
Argentina
disappeared
haunted geography
Mariana Enríquez
spectral spaces
title Horror as Real and the Real as Horror: Ghosts of the Desaparecidos in Argentina
title_full Horror as Real and the Real as Horror: Ghosts of the Desaparecidos in Argentina
title_fullStr Horror as Real and the Real as Horror: Ghosts of the Desaparecidos in Argentina
title_full_unstemmed Horror as Real and the Real as Horror: Ghosts of the Desaparecidos in Argentina
title_short Horror as Real and the Real as Horror: Ghosts of the Desaparecidos in Argentina
title_sort horror as real and the real as horror ghosts of the desaparecidos in argentina
topic memory
Argentina
disappeared
haunted geography
Mariana Enríquez
spectral spaces
url https://journals.openedition.org/eces/4723
work_keys_str_mv AT cristinasantos horrorasrealandtherealashorrorghostsofthedesaparecidosinargentina