Gender and Generic Clashes in The Years Between (Compton Bennett, 1946)

Because of the enduring success of her novels and her short stories, Daphne Du Maurier is not immediately associated with the theatre except through her father. The Years Between, her first original play, was, however, a popular success. While the play ends up celebrating the Allies’ forthcoming vic...

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Main Author: Nicole Cloarec
Format: Article
Language:English
Published: Presses universitaires de Rennes 2021-11-01
Series:Revue LISA
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Online Access:https://journals.openedition.org/lisa/13757
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author Nicole Cloarec
author_facet Nicole Cloarec
author_sort Nicole Cloarec
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description Because of the enduring success of her novels and her short stories, Daphne Du Maurier is not immediately associated with the theatre except through her father. The Years Between, her first original play, was, however, a popular success. While the play ends up celebrating the Allies’ forthcoming victory, five months before VE Day, what is striking is its very bitter tone as it dramatises the upheaval that society is about to face. This bittersweet note is precisely what singles out its film adaptation when it was released in 1946. The film, however, is very much a product of producer Sidney Box and his wife Muriel, who co-wrote the screenplay. Unlike other Du Maurier’s adaptations, the Boxes do not so much sentimentalize Du Maurier’s work as give it a feminist and socialist agenda, underscoring both the wife’s perspective and the social ramifications of Du Maurier’s drama. In so doing, the film dramatises the gender clashes through subtle disruptions of viewers’ expectations regarding generic conventions.
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spelling doaj-art-647917a79094482d97a9c4faea622cd72025-01-06T09:03:03ZengPresses universitaires de RennesRevue LISA1762-61532021-11-011910.4000/lisa.13757Gender and Generic Clashes in The Years Between (Compton Bennett, 1946)Nicole CloarecBecause of the enduring success of her novels and her short stories, Daphne Du Maurier is not immediately associated with the theatre except through her father. The Years Between, her first original play, was, however, a popular success. While the play ends up celebrating the Allies’ forthcoming victory, five months before VE Day, what is striking is its very bitter tone as it dramatises the upheaval that society is about to face. This bittersweet note is precisely what singles out its film adaptation when it was released in 1946. The film, however, is very much a product of producer Sidney Box and his wife Muriel, who co-wrote the screenplay. Unlike other Du Maurier’s adaptations, the Boxes do not so much sentimentalize Du Maurier’s work as give it a feminist and socialist agenda, underscoring both the wife’s perspective and the social ramifications of Du Maurier’s drama. In so doing, the film dramatises the gender clashes through subtle disruptions of viewers’ expectations regarding generic conventions.https://journals.openedition.org/lisa/13757genderdu Maurier DaphneThe Years Betweentheatrefilm adaptation
spellingShingle Nicole Cloarec
Gender and Generic Clashes in The Years Between (Compton Bennett, 1946)
Revue LISA
gender
du Maurier Daphne
The Years Between
theatre
film adaptation
title Gender and Generic Clashes in The Years Between (Compton Bennett, 1946)
title_full Gender and Generic Clashes in The Years Between (Compton Bennett, 1946)
title_fullStr Gender and Generic Clashes in The Years Between (Compton Bennett, 1946)
title_full_unstemmed Gender and Generic Clashes in The Years Between (Compton Bennett, 1946)
title_short Gender and Generic Clashes in The Years Between (Compton Bennett, 1946)
title_sort gender and generic clashes in the years between compton bennett 1946
topic gender
du Maurier Daphne
The Years Between
theatre
film adaptation
url https://journals.openedition.org/lisa/13757
work_keys_str_mv AT nicolecloarec genderandgenericclashesintheyearsbetweencomptonbennett1946