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An analysis of a poem Zegary w Trewirze (Clocks In Trier) by Stefan Napierski from his 1933 volume Obrazy z podróży (Travel Pictures). The interpretation includes on one hand the context of the only novel by Napierski, Rozmowy z cieniem (Conversations With A Shadow), in which the clocks play an i...

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Main Author: Jan Zieliński
Format: Article
Language:English
Published: Wydawnictwo Naukowe Uniwersytetu Kardynała Stefana Wyszyńskiego 2023-12-01
Series:Załącznik Kulturoznawczy
Subjects:
Online Access:https://czasopisma.uksw.edu.pl/index.php/zk/article/view/13575/12176
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author Jan Zieliński
author_facet Jan Zieliński
author_sort Jan Zieliński
collection DOAJ
description An analysis of a poem Zegary w Trewirze (Clocks In Trier) by Stefan Napierski from his 1933 volume Obrazy z podróży (Travel Pictures). The interpretation includes on one hand the context of the only novel by Napierski, Rozmowy z cieniem (Conversations With A Shadow), in which the clocks play an important role, on the other hand the iconographical tradition of the time measuring in Trier, based mostly on the monography of that subject by Christl Lehnert-Leven (Uhren in Trier. Geschichte, Gedichte und Bestände des Museums Simeonstift 14 S. Napierski, Z powodu „Diogenesa w kontuszu” Wacława Berenta, „Ateneum” 1938, nr 2 s. 31. Trier, 1992). There is also a discussion of the allusions to Heinrich Heine and Rainer Maria Rilke, both in Napierski’s poem and in his novel, as well as a presentation of two Middle Ages legends: about the founding of the town of Trier by the king Trebeta and about the life- story of St. Simeon, an eremit buried alive in the town’s gates, which help to explain the deeper meaning of Napierski’s poem.
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publisher Wydawnictwo Naukowe Uniwersytetu Kardynała Stefana Wyszyńskiego
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spelling doaj-art-6399f9c1a78d4341869d10fdee3457322025-01-15T15:45:07ZengWydawnictwo Naukowe Uniwersytetu Kardynała Stefana WyszyńskiegoZałącznik Kulturoznawczy2392-23382023-12-011066166810.21697/zk.2023.10.30Zatrzymać czasJan Zielińskihttps://orcid.org/0000-0002-0765-3536An analysis of a poem Zegary w Trewirze (Clocks In Trier) by Stefan Napierski from his 1933 volume Obrazy z podróży (Travel Pictures). The interpretation includes on one hand the context of the only novel by Napierski, Rozmowy z cieniem (Conversations With A Shadow), in which the clocks play an important role, on the other hand the iconographical tradition of the time measuring in Trier, based mostly on the monography of that subject by Christl Lehnert-Leven (Uhren in Trier. Geschichte, Gedichte und Bestände des Museums Simeonstift 14 S. Napierski, Z powodu „Diogenesa w kontuszu” Wacława Berenta, „Ateneum” 1938, nr 2 s. 31. Trier, 1992). There is also a discussion of the allusions to Heinrich Heine and Rainer Maria Rilke, both in Napierski’s poem and in his novel, as well as a presentation of two Middle Ages legends: about the founding of the town of Trier by the king Trebeta and about the life- story of St. Simeon, an eremit buried alive in the town’s gates, which help to explain the deeper meaning of Napierski’s poem.https://czasopisma.uksw.edu.pl/index.php/zk/article/view/13575/12176czas w filmierene magrittechristian marclayed kienholz
spellingShingle Jan Zieliński
Zatrzymać czas
Załącznik Kulturoznawczy
czas w filmie
rene magritte
christian marclay
ed kienholz
title Zatrzymać czas
title_full Zatrzymać czas
title_fullStr Zatrzymać czas
title_full_unstemmed Zatrzymać czas
title_short Zatrzymać czas
title_sort zatrzymac czas
topic czas w filmie
rene magritte
christian marclay
ed kienholz
url https://czasopisma.uksw.edu.pl/index.php/zk/article/view/13575/12176
work_keys_str_mv AT janzielinski zatrzymacczas