La Narrativisation de la musique
After describing the main features of the literary narrative and demonstrating its analogy with music, the author underlines the necessity not to conider a priori a musical production as a narrative. He analyzes the musical intonation contours as a form of proto-narration which he later explains fro...
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| Format: | Article |
| Language: | fra |
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Laboratoire Interdisciplinaire Récits Cultures Et Sociétés
2011-12-01
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| Series: | Cahiers de Narratologie |
| Subjects: | |
| Online Access: | https://journals.openedition.org/narratologie/6467 |
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| _version_ | 1846134434599796736 |
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| author | Jean-Jacques Nattiez |
| author_facet | Jean-Jacques Nattiez |
| author_sort | Jean-Jacques Nattiez |
| collection | DOAJ |
| description | After describing the main features of the literary narrative and demonstrating its analogy with music, the author underlines the necessity not to conider a priori a musical production as a narrative. He analyzes the musical intonation contours as a form of proto-narration which he later explains from the standpoint of Daniel Stern’s developmental psychology. It is then emphasized that music should be considered as a proto-narrative and the authors proposes a criticism of the so-called narratological musicology. |
| format | Article |
| id | doaj-art-6296d6a24f374724ae20144413c5effc |
| institution | Kabale University |
| issn | 0993-8516 1765-307X |
| language | fra |
| publishDate | 2011-12-01 |
| publisher | Laboratoire Interdisciplinaire Récits Cultures Et Sociétés |
| record_format | Article |
| series | Cahiers de Narratologie |
| spelling | doaj-art-6296d6a24f374724ae20144413c5effc2024-12-09T13:16:01ZfraLaboratoire Interdisciplinaire Récits Cultures Et SociétésCahiers de Narratologie0993-85161765-307X2011-12-012110.4000/narratologie.6467La Narrativisation de la musiqueJean-Jacques NattiezAfter describing the main features of the literary narrative and demonstrating its analogy with music, the author underlines the necessity not to conider a priori a musical production as a narrative. He analyzes the musical intonation contours as a form of proto-narration which he later explains from the standpoint of Daniel Stern’s developmental psychology. It is then emphasized that music should be considered as a proto-narrative and the authors proposes a criticism of the so-called narratological musicology.https://journals.openedition.org/narratologie/6467sémiologiemusicologie narratologiquepsychologie développementalecontoursintonationMarta Grabócz |
| spellingShingle | Jean-Jacques Nattiez La Narrativisation de la musique Cahiers de Narratologie sémiologie musicologie narratologique psychologie développementale contours intonation Marta Grabócz |
| title | La Narrativisation de la musique |
| title_full | La Narrativisation de la musique |
| title_fullStr | La Narrativisation de la musique |
| title_full_unstemmed | La Narrativisation de la musique |
| title_short | La Narrativisation de la musique |
| title_sort | la narrativisation de la musique |
| topic | sémiologie musicologie narratologique psychologie développementale contours intonation Marta Grabócz |
| url | https://journals.openedition.org/narratologie/6467 |
| work_keys_str_mv | AT jeanjacquesnattiez lanarrativisationdelamusique |