L’épiderme des statues grecques : quand le marbre se fait chair
In Ancient Greece, the word for the skin, khrôs, meant also « colour ». The human skin was therefore strongly connected to the notion of chromatism. The skill of a painter was evaluated through his capacity to render the subtle shades of colour-skin (andreikelon) and his ability to create the illusi...
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| Format: | Article |
| Language: | fra |
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Centre d´Histoire et Théorie des Arts
2016-01-01
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| Series: | Images Re-Vues |
| Subjects: | |
| Online Access: | https://journals.openedition.org/imagesrevues/3932 |
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