Un exemple de genre fluide dans la nécropole du Céramique ?

The question of identifying a third gender or gender fluidity in archaeological contexts has already been explored for many geographical areas and time periods. However, scholars studying Classical Greece, and Athens especially, have not so far taken up this subject. Yet, even if classical Athens se...

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Main Author: Isabelle Algrain
Format: Article
Language:English
Published: Université Lumière Lyon 2 2021-12-01
Series:Frontière·s
Online Access:https://journals.openedition.org/frontieres/849
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author Isabelle Algrain
author_facet Isabelle Algrain
author_sort Isabelle Algrain
collection DOAJ
description The question of identifying a third gender or gender fluidity in archaeological contexts has already been explored for many geographical areas and time periods. However, scholars studying Classical Greece, and Athens especially, have not so far taken up this subject. Yet, even if classical Athens seems to portray a strictly binary society, some deities and individuals have the distinctive feature of blurring the gender boundaries. This is particularly the case with actors, and this paper will focus on the burial of the actor Makareus, discovered in the Kerameikos Necropolis and dated to the 4th century BC. On the basis of the material from this grave, and considering the data related to actors in the ancient sources, we will reconsider the idea proposed by several researchers that the actors belonged to the female gender, before suggesting an alternative interpretation, based on gender fluidity.
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spelling doaj-art-5ec17ba7d0054bf9a8aa91f5987963fd2025-01-09T12:57:27ZengUniversité Lumière Lyon 2Frontière·s2534-75352021-12-01510.35562/frontieres.849Un exemple de genre fluide dans la nécropole du Céramique ?Isabelle AlgrainThe question of identifying a third gender or gender fluidity in archaeological contexts has already been explored for many geographical areas and time periods. However, scholars studying Classical Greece, and Athens especially, have not so far taken up this subject. Yet, even if classical Athens seems to portray a strictly binary society, some deities and individuals have the distinctive feature of blurring the gender boundaries. This is particularly the case with actors, and this paper will focus on the burial of the actor Makareus, discovered in the Kerameikos Necropolis and dated to the 4th century BC. On the basis of the material from this grave, and considering the data related to actors in the ancient sources, we will reconsider the idea proposed by several researchers that the actors belonged to the female gender, before suggesting an alternative interpretation, based on gender fluidity.https://journals.openedition.org/frontieres/849
spellingShingle Isabelle Algrain
Un exemple de genre fluide dans la nécropole du Céramique ?
Frontière·s
title Un exemple de genre fluide dans la nécropole du Céramique ?
title_full Un exemple de genre fluide dans la nécropole du Céramique ?
title_fullStr Un exemple de genre fluide dans la nécropole du Céramique ?
title_full_unstemmed Un exemple de genre fluide dans la nécropole du Céramique ?
title_short Un exemple de genre fluide dans la nécropole du Céramique ?
title_sort un exemple de genre fluide dans la necropole du ceramique
url https://journals.openedition.org/frontieres/849
work_keys_str_mv AT isabellealgrain unexempledegenrefluidedanslanecropoleduceramique