Rimes de malandrins : du narcocorrido au narco rap
After the narcocorrido, the narco-rap. The former genealogy of popular ballads and of the printed sheets of bandits and smugglers is founded on the culture of the hip-hop –heaps, rhythm, street language, graffiti and urban inscriptions, dance, body in a transe, visceral politics. “What else?”: artis...
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| Format: | Article |
| Language: | English |
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UMR 5136- France, Amériques, Espagne – Sociétés, Pouvoirs, Acteurs (FRAMESPA)
2016-05-01
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| Series: | Les Cahiers de Framespa |
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| Online Access: | https://journals.openedition.org/framespa/3842 |
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| author | Enrique Flores |
| author_facet | Enrique Flores |
| author_sort | Enrique Flores |
| collection | DOAJ |
| description | After the narcocorrido, the narco-rap. The former genealogy of popular ballads and of the printed sheets of bandits and smugglers is founded on the culture of the hip-hop –heaps, rhythm, street language, graffiti and urban inscriptions, dance, body in a transe, visceral politics. “What else?”: artistic and criminal performance; reality as the kingdom of insane violence; Dante’s hell and Rimbaud’s “time of assassins”; jails, drug and misery; Pancho Villa’s mural; Caballeros águila and body painting; outlaw culture and “warriors of the drug” –from the Brazilian jails to the neighborhoods of Los Angeles; “Reynosa la maldosa”; Marcola, Tiger and Subway 3; “Big Word” and “Murderers Artists”; Gangsta rap; narcopoetry and hallucination; poetics of the crime; “Crime pays: rhyme pays”. |
| format | Article |
| id | doaj-art-5eac50fff19946f38de61371db5cc614 |
| institution | Kabale University |
| issn | 1760-4761 |
| language | English |
| publishDate | 2016-05-01 |
| publisher | UMR 5136- France, Amériques, Espagne – Sociétés, Pouvoirs, Acteurs (FRAMESPA) |
| record_format | Article |
| series | Les Cahiers de Framespa |
| spelling | doaj-art-5eac50fff19946f38de61371db5cc6142025-01-09T15:43:39ZengUMR 5136- France, Amériques, Espagne – Sociétés, Pouvoirs, Acteurs (FRAMESPA)Les Cahiers de Framespa1760-47612016-05-012110.4000/framespa.3842Rimes de malandrins : du narcocorrido au narco rapEnrique FloresAfter the narcocorrido, the narco-rap. The former genealogy of popular ballads and of the printed sheets of bandits and smugglers is founded on the culture of the hip-hop –heaps, rhythm, street language, graffiti and urban inscriptions, dance, body in a transe, visceral politics. “What else?”: artistic and criminal performance; reality as the kingdom of insane violence; Dante’s hell and Rimbaud’s “time of assassins”; jails, drug and misery; Pancho Villa’s mural; Caballeros águila and body painting; outlaw culture and “warriors of the drug” –from the Brazilian jails to the neighborhoods of Los Angeles; “Reynosa la maldosa”; Marcola, Tiger and Subway 3; “Big Word” and “Murderers Artists”; Gangsta rap; narcopoetry and hallucination; poetics of the crime; “Crime pays: rhyme pays”.https://journals.openedition.org/framespa/3842corridorappopular poetrynarcocultureperformance |
| spellingShingle | Enrique Flores Rimes de malandrins : du narcocorrido au narco rap Les Cahiers de Framespa corrido rap popular poetry narcoculture performance |
| title | Rimes de malandrins : du narcocorrido au narco rap |
| title_full | Rimes de malandrins : du narcocorrido au narco rap |
| title_fullStr | Rimes de malandrins : du narcocorrido au narco rap |
| title_full_unstemmed | Rimes de malandrins : du narcocorrido au narco rap |
| title_short | Rimes de malandrins : du narcocorrido au narco rap |
| title_sort | rimes de malandrins du narcocorrido au narco rap |
| topic | corrido rap popular poetry narcoculture performance |
| url | https://journals.openedition.org/framespa/3842 |
| work_keys_str_mv | AT enriqueflores rimesdemalandrinsdunarcocorridoaunarcorap |