Rimes de malandrins : du narcocorrido au narco rap
After the narcocorrido, the narco-rap. The former genealogy of popular ballads and of the printed sheets of bandits and smugglers is founded on the culture of the hip-hop –heaps, rhythm, street language, graffiti and urban inscriptions, dance, body in a transe, visceral politics. “What else?”: artis...
Saved in:
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
UMR 5136- France, Amériques, Espagne – Sociétés, Pouvoirs, Acteurs (FRAMESPA)
2016-05-01
|
| Series: | Les Cahiers de Framespa |
| Subjects: | |
| Online Access: | https://journals.openedition.org/framespa/3842 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
| Summary: | After the narcocorrido, the narco-rap. The former genealogy of popular ballads and of the printed sheets of bandits and smugglers is founded on the culture of the hip-hop –heaps, rhythm, street language, graffiti and urban inscriptions, dance, body in a transe, visceral politics. “What else?”: artistic and criminal performance; reality as the kingdom of insane violence; Dante’s hell and Rimbaud’s “time of assassins”; jails, drug and misery; Pancho Villa’s mural; Caballeros águila and body painting; outlaw culture and “warriors of the drug” –from the Brazilian jails to the neighborhoods of Los Angeles; “Reynosa la maldosa”; Marcola, Tiger and Subway 3; “Big Word” and “Murderers Artists”; Gangsta rap; narcopoetry and hallucination; poetics of the crime; “Crime pays: rhyme pays”. |
|---|---|
| ISSN: | 1760-4761 |