Quand la lyrique des troubadours s’invite dans la narration
Narrative occitan texts seem to have been less affected than their counterparts in the langue d'oïl by the phenomenon of lyrical insertions. However there are many procedures involving quotation, without having a real right to exist. Both registers - lyrical and narrative - are constantly shift...
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| Format: | Article |
| Language: | fra |
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Presses universitaires de la Méditerranée
2021-05-01
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| Series: | Revue des Langues Romanes |
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| Online Access: | https://journals.openedition.org/rlr/3914 |
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| _version_ | 1841557839802269696 |
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| author | Anne Ibos-Augé |
| author_facet | Anne Ibos-Augé |
| author_sort | Anne Ibos-Augé |
| collection | DOAJ |
| description | Narrative occitan texts seem to have been less affected than their counterparts in the langue d'oïl by the phenomenon of lyrical insertions. However there are many procedures involving quotation, without having a real right to exist. Both registers - lyrical and narrative - are constantly shifting back and forth in the corpus of 13th- and 14th-century novas in the langue d'oc, and several procedures are encountered depending on the texts: the author's "dire", which explicitly quotes the “trouveur”, the anonymous song, which no longer quotes him, and the underlying intertext, a veritable "lyrical speech" borrowing from the songs’ repertoire. The study of these procedures will make it possible to question the reasons for and functions of the lyrical presence within occitan narrative textes. |
| format | Article |
| id | doaj-art-5e19c584f4a5469f941710cce7015704 |
| institution | Kabale University |
| issn | 0223-3711 2391-114X |
| language | fra |
| publishDate | 2021-05-01 |
| publisher | Presses universitaires de la Méditerranée |
| record_format | Article |
| series | Revue des Langues Romanes |
| spelling | doaj-art-5e19c584f4a5469f941710cce70157042025-01-06T09:24:09ZfraPresses universitaires de la MéditerranéeRevue des Langues Romanes0223-37112391-114X2021-05-0112593810.4000/rlr.3914Quand la lyrique des troubadours s’invite dans la narrationAnne Ibos-AugéNarrative occitan texts seem to have been less affected than their counterparts in the langue d'oïl by the phenomenon of lyrical insertions. However there are many procedures involving quotation, without having a real right to exist. Both registers - lyrical and narrative - are constantly shifting back and forth in the corpus of 13th- and 14th-century novas in the langue d'oc, and several procedures are encountered depending on the texts: the author's "dire", which explicitly quotes the “trouveur”, the anonymous song, which no longer quotes him, and the underlying intertext, a veritable "lyrical speech" borrowing from the songs’ repertoire. The study of these procedures will make it possible to question the reasons for and functions of the lyrical presence within occitan narrative textes.https://journals.openedition.org/rlr/3914narrativelyricismcitationmusictroubadour |
| spellingShingle | Anne Ibos-Augé Quand la lyrique des troubadours s’invite dans la narration Revue des Langues Romanes narrative lyricism citation music troubadour |
| title | Quand la lyrique des troubadours s’invite dans la narration |
| title_full | Quand la lyrique des troubadours s’invite dans la narration |
| title_fullStr | Quand la lyrique des troubadours s’invite dans la narration |
| title_full_unstemmed | Quand la lyrique des troubadours s’invite dans la narration |
| title_short | Quand la lyrique des troubadours s’invite dans la narration |
| title_sort | quand la lyrique des troubadours s invite dans la narration |
| topic | narrative lyricism citation music troubadour |
| url | https://journals.openedition.org/rlr/3914 |
| work_keys_str_mv | AT anneibosauge quandlalyriquedestroubadourssinvitedanslanarration |