Orality in War Novels: Different Aspects of Swear Words in Henri Barbusse’s and Ahmadou Kourouma’s works

The paper proposes to address, from a comparative perspective, the question of orality in two war novels: Henri Barbusse's autobiographical Le Feu (1916) and Ahmadou Kourouma’s fiction Allah n’est pas obligé (2000). In spite of a temporal distance, a generic framework and a narrative structure...

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Main Author: Joanna Kotowska-Miziniak
Format: Article
Language:deu
Published: Vilnius University Press 2023-10-01
Series:Literatūra (Vilnius)
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Online Access:https://ojs.test/index.php/literatura/article/view/33438
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author Joanna Kotowska-Miziniak
author_facet Joanna Kotowska-Miziniak
author_sort Joanna Kotowska-Miziniak
collection DOAJ
description The paper proposes to address, from a comparative perspective, the question of orality in two war novels: Henri Barbusse's autobiographical Le Feu (1916) and Ahmadou Kourouma’s fiction Allah n’est pas obligé (2000). In spite of a temporal distance, a generic framework and a narrative structure that separates the two novels, they both present one major common feature which is the concern to describe the martial experiences – real or imagined – in a direct and personal way, which finds its expression at the lexical level. Although Barbusse’s First World War soldiers do not use the same vocabulary as Kourouma’s child soldiers who took part in the fighting in Liberia and Sierra Leone in the 1990s, their language is characterized by the same abusive use of swear words. Apart from its primary function as an instrument of emotional liberation through an instantaneous cathartic discharge, “soldier’s talk” also plays the role of a communication tool that ensures integration within a community. Leaving aside its linguistic, geographical or historical particularities, the language of combatants from different countries crosses borders and acquires a universal dimension, as the bearer of the collective memory of the tumultuous twentieth century.
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spelling doaj-art-5d923dde18b344ca921a2af78f05b66e2025-01-03T06:38:15ZdeuVilnius University PressLiteratūra (Vilnius)0258-08021648-11432023-10-0165410.15388/Litera.2023.65.4.1Orality in War Novels: Different Aspects of Swear Words in Henri Barbusse’s and Ahmadou Kourouma’s worksJoanna Kotowska-Miziniak0University of Wrocław, Poland The paper proposes to address, from a comparative perspective, the question of orality in two war novels: Henri Barbusse's autobiographical Le Feu (1916) and Ahmadou Kourouma’s fiction Allah n’est pas obligé (2000). In spite of a temporal distance, a generic framework and a narrative structure that separates the two novels, they both present one major common feature which is the concern to describe the martial experiences – real or imagined – in a direct and personal way, which finds its expression at the lexical level. Although Barbusse’s First World War soldiers do not use the same vocabulary as Kourouma’s child soldiers who took part in the fighting in Liberia and Sierra Leone in the 1990s, their language is characterized by the same abusive use of swear words. Apart from its primary function as an instrument of emotional liberation through an instantaneous cathartic discharge, “soldier’s talk” also plays the role of a communication tool that ensures integration within a community. Leaving aside its linguistic, geographical or historical particularities, the language of combatants from different countries crosses borders and acquires a universal dimension, as the bearer of the collective memory of the tumultuous twentieth century. https://ojs.test/index.php/literatura/article/view/33438oralitywarswear wordsBarbusseKourouma
spellingShingle Joanna Kotowska-Miziniak
Orality in War Novels: Different Aspects of Swear Words in Henri Barbusse’s and Ahmadou Kourouma’s works
Literatūra (Vilnius)
orality
war
swear words
Barbusse
Kourouma
title Orality in War Novels: Different Aspects of Swear Words in Henri Barbusse’s and Ahmadou Kourouma’s works
title_full Orality in War Novels: Different Aspects of Swear Words in Henri Barbusse’s and Ahmadou Kourouma’s works
title_fullStr Orality in War Novels: Different Aspects of Swear Words in Henri Barbusse’s and Ahmadou Kourouma’s works
title_full_unstemmed Orality in War Novels: Different Aspects of Swear Words in Henri Barbusse’s and Ahmadou Kourouma’s works
title_short Orality in War Novels: Different Aspects of Swear Words in Henri Barbusse’s and Ahmadou Kourouma’s works
title_sort orality in war novels different aspects of swear words in henri barbusse s and ahmadou kourouma s works
topic orality
war
swear words
Barbusse
Kourouma
url https://ojs.test/index.php/literatura/article/view/33438
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