Semantic deviation in actual use of the senses (Contemporary Poetry of Iran and Iraq)

Five senses play a significant role in the formation of the rhetorical images in the poetry and give it artistic dimensions contribute to the deepening of vision which the poet seeks to its transfer.The senses consensus allows the poet to the field to suggest investment in one or more hactin, and al...

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Main Author: reza kiani
Format: Article
Language:fas
Published: Semnan University 2017-02-01
Series:مطالعات زبانی و بلاغی
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Online Access:https://rhetorical.semnan.ac.ir/article_2493_0e1c0dc21e8f7ddf27256a018c93e778.pdf
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author reza kiani
author_facet reza kiani
author_sort reza kiani
collection DOAJ
description Five senses play a significant role in the formation of the rhetorical images in the poetry and give it artistic dimensions contribute to the deepening of vision which the poet seeks to its transfer.The senses consensus allows the poet to the field to suggest investment in one or more hactin, and allows him to convey his feelings from its usual strange to deviation level. This means that, the five senses leave its usual functions to odd jobs intersect logically familiar with its functions to achieve what he wants from the poet purposes unable to deliver normal installation.From this standpoint, This article pays to the survey and annotation the term of "Synesthesia" as one of the instruments of "semantic deviation" in Contemporary Poetry of Iran and Iraq.The questions that arise here and try to answer them, are summarized as follows: How used both Poets of Iran and Iraq the Correspondance technique in their poetry?
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series مطالعات زبانی و بلاغی
spelling doaj-art-5c63c826f81d4d839112b2511f9a10292025-01-15T08:11:14ZfasSemnan Universityمطالعات زبانی و بلاغی2008-95702717-090X2017-02-0171416119210.22075/jlrs.2017.6690.2493Semantic deviation in actual use of the senses (Contemporary Poetry of Iran and Iraq)reza kiani0کرمانشاه، اسلام آبادغرب، روبروی فرمانداری، خیابان شهید باهنر، منزل کیانی، پلاک24Five senses play a significant role in the formation of the rhetorical images in the poetry and give it artistic dimensions contribute to the deepening of vision which the poet seeks to its transfer.The senses consensus allows the poet to the field to suggest investment in one or more hactin, and allows him to convey his feelings from its usual strange to deviation level. This means that, the five senses leave its usual functions to odd jobs intersect logically familiar with its functions to achieve what he wants from the poet purposes unable to deliver normal installation.From this standpoint, This article pays to the survey and annotation the term of "Synesthesia" as one of the instruments of "semantic deviation" in Contemporary Poetry of Iran and Iraq.The questions that arise here and try to answer them, are summarized as follows: How used both Poets of Iran and Iraq the Correspondance technique in their poetry?https://rhetorical.semnan.ac.ir/article_2493_0e1c0dc21e8f7ddf27256a018c93e778.pdfsemantic deviationcorrespondancecomparative literaturecontemporary poetry
spellingShingle reza kiani
Semantic deviation in actual use of the senses (Contemporary Poetry of Iran and Iraq)
مطالعات زبانی و بلاغی
semantic deviation
correspondance
comparative literature
contemporary poetry
title Semantic deviation in actual use of the senses (Contemporary Poetry of Iran and Iraq)
title_full Semantic deviation in actual use of the senses (Contemporary Poetry of Iran and Iraq)
title_fullStr Semantic deviation in actual use of the senses (Contemporary Poetry of Iran and Iraq)
title_full_unstemmed Semantic deviation in actual use of the senses (Contemporary Poetry of Iran and Iraq)
title_short Semantic deviation in actual use of the senses (Contemporary Poetry of Iran and Iraq)
title_sort semantic deviation in actual use of the senses contemporary poetry of iran and iraq
topic semantic deviation
correspondance
comparative literature
contemporary poetry
url https://rhetorical.semnan.ac.ir/article_2493_0e1c0dc21e8f7ddf27256a018c93e778.pdf
work_keys_str_mv AT rezakiani semanticdeviationinactualuseofthesensescontemporarypoetryofiranandiraq