Poetică și ornamentică
The study discusses the relationship between poetry and ornamentation in the light of Baudelaire’s theory of correspondences. Starting from the title of Edgar Poe’s volume, The Tales of the Grotesque and the Arabesque, Baudelaire notices that the two art motifs are an illustration of the dual nature...
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| Format: | Article |
| Language: | deu |
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Editura Academiei Române
2007-12-01
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| Series: | Revista de Istorie și Teorie Literară |
| Online Access: | https://ritl.ro/pdf/2007/17_L_Hanganu.pdf |
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| _version_ | 1841560335794831360 |
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| author | Laurențiu Hanganu |
| author_facet | Laurențiu Hanganu |
| author_sort | Laurențiu Hanganu |
| collection | DOAJ |
| description | The study discusses the relationship between poetry and ornamentation in the light of Baudelaire’s theory of correspondences. Starting from the title of Edgar Poe’s volume, The Tales of the Grotesque and the Arabesque, Baudelaire notices that the two art motifs are an illustration of the dual nature of modern poetry, which is simultaneously harmonious and dissonant. At the same time, the poetic phrase has the sinuous course of the arabesque line, proving that poetry is a palimpsest of all artistic expression. The kinship of poetry and ornamentation, which transcends Lessing’s opposition between arts of time and arts of space, is the archetype of Baudelaire’s correspondences, which restores at the phantasy level a lost plenitude — a completeness still present in the form of the medieval manuscript. |
| format | Article |
| id | doaj-art-5b80897a9ac84e37a497b8007e8d7ee2 |
| institution | Kabale University |
| issn | 0034-8392 3061-4201 |
| language | deu |
| publishDate | 2007-12-01 |
| publisher | Editura Academiei Române |
| record_format | Article |
| series | Revista de Istorie și Teorie Literară |
| spelling | doaj-art-5b80897a9ac84e37a497b8007e8d7ee22025-01-04T09:13:52ZdeuEditura Academiei RomâneRevista de Istorie și Teorie Literară0034-83923061-42012007-12-01XLIV1-4251261Poetică și ornamenticăLaurențiu HanganuThe study discusses the relationship between poetry and ornamentation in the light of Baudelaire’s theory of correspondences. Starting from the title of Edgar Poe’s volume, The Tales of the Grotesque and the Arabesque, Baudelaire notices that the two art motifs are an illustration of the dual nature of modern poetry, which is simultaneously harmonious and dissonant. At the same time, the poetic phrase has the sinuous course of the arabesque line, proving that poetry is a palimpsest of all artistic expression. The kinship of poetry and ornamentation, which transcends Lessing’s opposition between arts of time and arts of space, is the archetype of Baudelaire’s correspondences, which restores at the phantasy level a lost plenitude — a completeness still present in the form of the medieval manuscript.https://ritl.ro/pdf/2007/17_L_Hanganu.pdf |
| spellingShingle | Laurențiu Hanganu Poetică și ornamentică Revista de Istorie și Teorie Literară |
| title | Poetică și ornamentică |
| title_full | Poetică și ornamentică |
| title_fullStr | Poetică și ornamentică |
| title_full_unstemmed | Poetică și ornamentică |
| title_short | Poetică și ornamentică |
| title_sort | poetica si ornamentica |
| url | https://ritl.ro/pdf/2007/17_L_Hanganu.pdf |
| work_keys_str_mv | AT laurentiuhanganu poeticasiornamentica |