Emily Brontë and the Gothic: Female Characters in Wuthering Heights

In Wuthering Heights, Catherine can be placed in the genealogy of Gothic heroines, and the fact that the novel has been seen as an example of the Female Gothic is further evidence that the Gothic has a far-reaching influence on Wuthering Heights. It is also noticeable that Isabella and Cathy Linton...

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Main Author: Yukari Oda
Format: Article
Language:English
Published: Presses universitaires de Rennes 2010-03-01
Series:Revue LISA
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Online Access:https://journals.openedition.org/lisa/3496
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author Yukari Oda
author_facet Yukari Oda
author_sort Yukari Oda
collection DOAJ
description In Wuthering Heights, Catherine can be placed in the genealogy of Gothic heroines, and the fact that the novel has been seen as an example of the Female Gothic is further evidence that the Gothic has a far-reaching influence on Wuthering Heights. It is also noticeable that Isabella and Cathy Linton resemble Gothic heroines. I do not intend to discuss these female characters as persecuted heroines. Rather, what I would like to see in this paper is how Emily Brontë received the Gothic and how her female characters are influenced by the genre. I suggest that Emily gradually makes her female characters shift into more lively figures, and Gothic heroines are transformed into several versions of more animated women in Wuthering Heights, and echo each other, mirror each other, and collaborate with one another to provide a whole view. In short, as an opposite or an incomprehensible example, each character helps others to identify themselves. They explore others to find themselves, and see others as distorted mirrors that they are not what they are. The female figures in Wuthering Heights create a whole version of women together.
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spelling doaj-art-5a326a13f36540be9bbc9514abb957f32025-01-06T09:03:46ZengPresses universitaires de RennesRevue LISA1762-61532010-03-0111910.4000/lisa.3496Emily Brontë and the Gothic: Female Characters in Wuthering HeightsYukari OdaIn Wuthering Heights, Catherine can be placed in the genealogy of Gothic heroines, and the fact that the novel has been seen as an example of the Female Gothic is further evidence that the Gothic has a far-reaching influence on Wuthering Heights. It is also noticeable that Isabella and Cathy Linton resemble Gothic heroines. I do not intend to discuss these female characters as persecuted heroines. Rather, what I would like to see in this paper is how Emily Brontë received the Gothic and how her female characters are influenced by the genre. I suggest that Emily gradually makes her female characters shift into more lively figures, and Gothic heroines are transformed into several versions of more animated women in Wuthering Heights, and echo each other, mirror each other, and collaborate with one another to provide a whole view. In short, as an opposite or an incomprehensible example, each character helps others to identify themselves. They explore others to find themselves, and see others as distorted mirrors that they are not what they are. The female figures in Wuthering Heights create a whole version of women together.https://journals.openedition.org/lisa/3496gothicgenreheroineWuthering HeightsBrontë Emily
spellingShingle Yukari Oda
Emily Brontë and the Gothic: Female Characters in Wuthering Heights
Revue LISA
gothic
genre
heroine
Wuthering Heights
Brontë Emily
title Emily Brontë and the Gothic: Female Characters in Wuthering Heights
title_full Emily Brontë and the Gothic: Female Characters in Wuthering Heights
title_fullStr Emily Brontë and the Gothic: Female Characters in Wuthering Heights
title_full_unstemmed Emily Brontë and the Gothic: Female Characters in Wuthering Heights
title_short Emily Brontë and the Gothic: Female Characters in Wuthering Heights
title_sort emily bronte and the gothic female characters in wuthering heights
topic gothic
genre
heroine
Wuthering Heights
Brontë Emily
url https://journals.openedition.org/lisa/3496
work_keys_str_mv AT yukarioda emilybronteandthegothicfemalecharactersinwutheringheights