Camp Transvestism in Ackroyd’s Dan Leno and the Limehouse Golem (1994)

This essay focuses on the figure of the cross-dresser in Peter Ackroyd’s Neo-Victorian novel Dan Leno and the Limehouse Golem, which uses both on and off-stage female-to-male and male-to-female cross-dressing as a backdrop for an investigation into a series of gruesome murders. The essay first explo...

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Main Author: Justine GONNEAUD
Format: Article
Language:English
Published: Laboratoire d’Etudes et de Recherches sur le Monde Anglophone (LERMA) 2019-06-01
Series:E-REA
Subjects:
Online Access:https://journals.openedition.org/erea/7802
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author Justine GONNEAUD
author_facet Justine GONNEAUD
author_sort Justine GONNEAUD
collection DOAJ
description This essay focuses on the figure of the cross-dresser in Peter Ackroyd’s Neo-Victorian novel Dan Leno and the Limehouse Golem, which uses both on and off-stage female-to-male and male-to-female cross-dressing as a backdrop for an investigation into a series of gruesome murders. The essay first explores the politics of cross-dressing, showing how the motif quite literally illustrates that gender is “performative”, in a Butlerian acceptation of the term, therefore allowing for an analysis of the constructedness of gender categories. Secondly, it examines the camp aesthetics of cross-dressing in the novel, a sensibility that challenges narrative categories and literary genres by reappropriating the codes of high and low culture. Finally, it demonstrates that the politics and aesthetics of cross-dressing are tied to a spiritual experience, reconnecting transvestism with its initial shamanic or religious dimension, thus turning the writing experience into a sacred performance of dispossession of identity.
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language English
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publisher Laboratoire d’Etudes et de Recherches sur le Monde Anglophone (LERMA)
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spelling doaj-art-597be8f2e8e74884aaaf3fbd19ee21982025-01-09T12:54:18ZengLaboratoire d’Etudes et de Recherches sur le Monde Anglophone (LERMA)E-REA1638-17182019-06-0116210.4000/erea.7802Camp Transvestism in Ackroyd’s Dan Leno and the Limehouse Golem (1994)Justine GONNEAUDThis essay focuses on the figure of the cross-dresser in Peter Ackroyd’s Neo-Victorian novel Dan Leno and the Limehouse Golem, which uses both on and off-stage female-to-male and male-to-female cross-dressing as a backdrop for an investigation into a series of gruesome murders. The essay first explores the politics of cross-dressing, showing how the motif quite literally illustrates that gender is “performative”, in a Butlerian acceptation of the term, therefore allowing for an analysis of the constructedness of gender categories. Secondly, it examines the camp aesthetics of cross-dressing in the novel, a sensibility that challenges narrative categories and literary genres by reappropriating the codes of high and low culture. Finally, it demonstrates that the politics and aesthetics of cross-dressing are tied to a spiritual experience, reconnecting transvestism with its initial shamanic or religious dimension, thus turning the writing experience into a sacred performance of dispossession of identity.https://journals.openedition.org/erea/7802ethicscampgendercross-dressingPeter AckroydDan Leno
spellingShingle Justine GONNEAUD
Camp Transvestism in Ackroyd’s Dan Leno and the Limehouse Golem (1994)
E-REA
ethics
camp
gender
cross-dressing
Peter Ackroyd
Dan Leno
title Camp Transvestism in Ackroyd’s Dan Leno and the Limehouse Golem (1994)
title_full Camp Transvestism in Ackroyd’s Dan Leno and the Limehouse Golem (1994)
title_fullStr Camp Transvestism in Ackroyd’s Dan Leno and the Limehouse Golem (1994)
title_full_unstemmed Camp Transvestism in Ackroyd’s Dan Leno and the Limehouse Golem (1994)
title_short Camp Transvestism in Ackroyd’s Dan Leno and the Limehouse Golem (1994)
title_sort camp transvestism in ackroyd s dan leno and the limehouse golem 1994
topic ethics
camp
gender
cross-dressing
Peter Ackroyd
Dan Leno
url https://journals.openedition.org/erea/7802
work_keys_str_mv AT justinegonneaud camptransvestisminackroydsdanlenoandthelimehousegolem1994