The Possibility of Fidelity in Adaptations: The Case of Director Michael Haneke

This study seeks an answer to the question of whether the content of the novel or the interpretation of the novel content by a director is followed in film adaptations, how clear the boundaries of film narrative and literary narrative are, the reflections of the narrative techniques specific to thes...

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Main Author: Alper Keleş
Format: Article
Language:English
Published: Sakarya University 2023-06-01
Series:Skad
Subjects:
Online Access:https://dergipark.org.tr/tr/download/article-file/3108590
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author Alper Keleş
author_facet Alper Keleş
author_sort Alper Keleş
collection DOAJ
description This study seeks an answer to the question of whether the content of the novel or the interpretation of the novel content by a director is followed in film adaptations, how clear the boundaries of film narrative and literary narrative are, the reflections of the narrative techniques specific to these media in the two media, how effective the narrative features are at the level of the audience and the reader, and to what extent the audience is provided with the interpretation space allocated at the end of the films. The methodology used is determined by creating a common research area in both fields with the help of the concepts of cinema and literature, as emphasized in the theories of intermediality. This article, consisting of ideas specific to the fields of the two media, explains how searching for the literary text in adaptation films is an appropriate approach with the example of Michael Haneke's adaptation of Franz Kafka's The Castle.
format Article
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institution Kabale University
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spelling doaj-art-586dfdaeece04931bb07a383256c4eb82025-01-07T08:53:13ZengSakarya UniversitySkad2667-47182023-06-0191812613710.25306/skad.128895228The Possibility of Fidelity in Adaptations: The Case of Director Michael HanekeAlper Keleş0SAKARYA ÜNİVERSİTESİThis study seeks an answer to the question of whether the content of the novel or the interpretation of the novel content by a director is followed in film adaptations, how clear the boundaries of film narrative and literary narrative are, the reflections of the narrative techniques specific to these media in the two media, how effective the narrative features are at the level of the audience and the reader, and to what extent the audience is provided with the interpretation space allocated at the end of the films. The methodology used is determined by creating a common research area in both fields with the help of the concepts of cinema and literature, as emphasized in the theories of intermediality. This article, consisting of ideas specific to the fields of the two media, explains how searching for the literary text in adaptation films is an appropriate approach with the example of Michael Haneke's adaptation of Franz Kafka's The Castle.https://dergipark.org.tr/tr/download/article-file/3108590medyalararasılıkfilm uyarlamalarımedya değişimiintermedialityfilm adaptationsmedia change
spellingShingle Alper Keleş
The Possibility of Fidelity in Adaptations: The Case of Director Michael Haneke
Skad
medyalararasılık
film uyarlamaları
medya değişimi
intermediality
film adaptations
media change
title The Possibility of Fidelity in Adaptations: The Case of Director Michael Haneke
title_full The Possibility of Fidelity in Adaptations: The Case of Director Michael Haneke
title_fullStr The Possibility of Fidelity in Adaptations: The Case of Director Michael Haneke
title_full_unstemmed The Possibility of Fidelity in Adaptations: The Case of Director Michael Haneke
title_short The Possibility of Fidelity in Adaptations: The Case of Director Michael Haneke
title_sort possibility of fidelity in adaptations the case of director michael haneke
topic medyalararasılık
film uyarlamaları
medya değişimi
intermediality
film adaptations
media change
url https://dergipark.org.tr/tr/download/article-file/3108590
work_keys_str_mv AT alperkeles thepossibilityoffidelityinadaptationsthecaseofdirectormichaelhaneke
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