¿Cómo representar la dictadura? Recorrido por estrategias cinematográficas en documentales uruguayos
This article analyses three strategies used by uruguayan documentary-makers to represent the violence of the dictatorship (1973-1985). To achieve this aim, first, it introduces the democratic transition; then, it presents a succinct theoretical discussion on the relationship between documentary and...
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| Format: | Article |
| Language: | Spanish |
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Groupe de Recherche Amérique Latine Histoire et Mémoire
2016-01-01
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| Series: | Les Cahiers ALHIM |
| Subjects: | |
| Online Access: | https://journals.openedition.org/alhim/5357 |
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| Summary: | This article analyses three strategies used by uruguayan documentary-makers to represent the violence of the dictatorship (1973-1985). To achieve this aim, first, it introduces the democratic transition; then, it presents a succinct theoretical discussion on the relationship between documentary and the representation of violence ; and finally, it focuses on specific cases that allow us to reflect on the validity of representation, despite its limits. In addition to the analysis of different strategies -use of testimonies, of photographs and of re-enactments- this article explores the relationship between documentary and its production context, in a country that still has a long way to go in terms of truth and justice. |
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| ISSN: | 1628-6731 1777-5175 |