Des photographes hors champ ? Les femmes dans les cercles amateurs et pictorialistes français (1891-1914)

This article proposes to study the social role of women in amateur photography in France at the turn of the twentieth century. The photographic activity of women conveys the antagonism structuring the bourgeois order, separating the public and private spheres. Even as amateurs, however, women did no...

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Main Author: Frédérine Pradier
Format: Article
Language:fra
Published: Association Mnémosyne 2024-12-01
Series:Genre & Histoire
Subjects:
Online Access:https://journals.openedition.org/genrehistoire/10013
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author Frédérine Pradier
author_facet Frédérine Pradier
author_sort Frédérine Pradier
collection DOAJ
description This article proposes to study the social role of women in amateur photography in France at the turn of the twentieth century. The photographic activity of women conveys the antagonism structuring the bourgeois order, separating the public and private spheres. Even as amateurs, however, women did not limit themselves to an intimate use of the medium and integrated public spaces of legitimation such as photographic societies and exhibitions. The serial and quantitative analysis of printed sources (yearbooks, exhibition catalogues and specialised periodicals) allows us to reconsider their position in a field structured by its own social, cultural and geographical dynamics. To oppose a popularised private practice, various strategies of distinction were employed, particularly in pictorialist circles seeking a photographic art.
format Article
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institution Kabale University
issn 2102-5886
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publishDate 2024-12-01
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series Genre & Histoire
spelling doaj-art-585698aa14ec45be9ef24405d98f79032025-01-09T16:23:34ZfraAssociation MnémosyneGenre & Histoire2102-58862024-12-013410.4000/12ykxDes photographes hors champ ? Les femmes dans les cercles amateurs et pictorialistes français (1891-1914)Frédérine PradierThis article proposes to study the social role of women in amateur photography in France at the turn of the twentieth century. The photographic activity of women conveys the antagonism structuring the bourgeois order, separating the public and private spheres. Even as amateurs, however, women did not limit themselves to an intimate use of the medium and integrated public spaces of legitimation such as photographic societies and exhibitions. The serial and quantitative analysis of printed sources (yearbooks, exhibition catalogues and specialised periodicals) allows us to reconsider their position in a field structured by its own social, cultural and geographical dynamics. To oppose a popularised private practice, various strategies of distinction were employed, particularly in pictorialist circles seeking a photographic art.https://journals.openedition.org/genrehistoire/10013Francegenderphotographyamateurismpictorialismsociability
spellingShingle Frédérine Pradier
Des photographes hors champ ? Les femmes dans les cercles amateurs et pictorialistes français (1891-1914)
Genre & Histoire
France
gender
photography
amateurism
pictorialism
sociability
title Des photographes hors champ ? Les femmes dans les cercles amateurs et pictorialistes français (1891-1914)
title_full Des photographes hors champ ? Les femmes dans les cercles amateurs et pictorialistes français (1891-1914)
title_fullStr Des photographes hors champ ? Les femmes dans les cercles amateurs et pictorialistes français (1891-1914)
title_full_unstemmed Des photographes hors champ ? Les femmes dans les cercles amateurs et pictorialistes français (1891-1914)
title_short Des photographes hors champ ? Les femmes dans les cercles amateurs et pictorialistes français (1891-1914)
title_sort des photographes hors champ les femmes dans les cercles amateurs et pictorialistes francais 1891 1914
topic France
gender
photography
amateurism
pictorialism
sociability
url https://journals.openedition.org/genrehistoire/10013
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