Maître ou esclave ? Jazz, ragtime et cake walk en Allemagne avant et après la Première Guerre mondiale
In 1919, jazz music comes to Germany. This is the beginning of fierce debates over this unheard-of music. Some fear a two-fold dehumanization, linked to the rise of Negro culture and to a kind of modernism gone wild. Others see it, however, as a radical rejuvenation of their own culture; and democra...
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Main Author: | Pascale Cohen-Avenel |
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Format: | Article |
Language: | English |
Published: |
TELEMME - UMR 6570
2013-06-01
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Series: | Amnis |
Subjects: | |
Online Access: | https://journals.openedition.org/amnis/1962 |
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