L’Estremo Oriente di Djemil Anik. Influssi e interpolazioni delle danze giavanesi nell’attività artistica e pedagogica

Questioning the topic of métissage within the French interwar context, the author of the essay aims to investigate the career of the dancer Djemil Anik (1888-1980) – of French-Malay origins and an expert in Javanese female court dances – starting from her first debut at the Théàtre des Arts in Paris...

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Main Author: Fiorella Cardinale Ciccotti
Format: Article
Language:Italian
Published: University of Bologna 2024-12-01
Series:Danza e Ricerca
Online Access:https://danzaericerca.unibo.it/article/view/20942
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author Fiorella Cardinale Ciccotti
author_facet Fiorella Cardinale Ciccotti
author_sort Fiorella Cardinale Ciccotti
collection DOAJ
description Questioning the topic of métissage within the French interwar context, the author of the essay aims to investigate the career of the dancer Djemil Anik (1888-1980) – of French-Malay origins and an expert in Javanese female court dances – starting from her first debut at the Théàtre des Arts in Paris until the full affirmation of her pedagogical activity. Starting from the historical-critical analysis of the first solos, the paper depicts the strategies she implemented to address the cultural mutations linked to the sharpening of contemporary ethnographic consciousness, which include trips to Java for field research and a theoretical and pedagogical approach that aims at hybrid education.
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spelling doaj-art-53a3dadeebc546fcba634e2d97e7a6f32025-01-10T10:44:39ZitaUniversity of BolognaDanza e Ricerca2036-15992024-12-0112713710.6092/issn.2036-1599/2094219314L’Estremo Oriente di Djemil Anik. Influssi e interpolazioni delle danze giavanesi nell’attività artistica e pedagogicaFiorella Cardinale Ciccotti0Università di Roma "La Sapienza"Questioning the topic of métissage within the French interwar context, the author of the essay aims to investigate the career of the dancer Djemil Anik (1888-1980) – of French-Malay origins and an expert in Javanese female court dances – starting from her first debut at the Théàtre des Arts in Paris until the full affirmation of her pedagogical activity. Starting from the historical-critical analysis of the first solos, the paper depicts the strategies she implemented to address the cultural mutations linked to the sharpening of contemporary ethnographic consciousness, which include trips to Java for field research and a theoretical and pedagogical approach that aims at hybrid education.https://danzaericerca.unibo.it/article/view/20942
spellingShingle Fiorella Cardinale Ciccotti
L’Estremo Oriente di Djemil Anik. Influssi e interpolazioni delle danze giavanesi nell’attività artistica e pedagogica
Danza e Ricerca
title L’Estremo Oriente di Djemil Anik. Influssi e interpolazioni delle danze giavanesi nell’attività artistica e pedagogica
title_full L’Estremo Oriente di Djemil Anik. Influssi e interpolazioni delle danze giavanesi nell’attività artistica e pedagogica
title_fullStr L’Estremo Oriente di Djemil Anik. Influssi e interpolazioni delle danze giavanesi nell’attività artistica e pedagogica
title_full_unstemmed L’Estremo Oriente di Djemil Anik. Influssi e interpolazioni delle danze giavanesi nell’attività artistica e pedagogica
title_short L’Estremo Oriente di Djemil Anik. Influssi e interpolazioni delle danze giavanesi nell’attività artistica e pedagogica
title_sort l estremo oriente di djemil anik influssi e interpolazioni delle danze giavanesi nell attivita artistica e pedagogica
url https://danzaericerca.unibo.it/article/view/20942
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