Între cântec și descântec. Construcțiile magicului poetic. În curte la Dionis, de Mircea Eliade / BETWEEN CANTATION AND INCANTATION. THE ARCHITECTURE OF THE MAGICAL POETICS

In this study, I submitted to a careful analysis the short story, In the courtyard at Dionis, by Mircea Eliade, which I consider a real ars poetica in prose, where the mythical and magical symbols lead to the same idea of the androgyny poetry possible by restoring the symbolic couple poet-muse, poet...

Full description

Saved in:
Bibliographic Details
Main Author: Liliana Danciu
Format: Article
Language:English
Published: "1 Decembrie 1918" University of Alba Iulia 2016-10-01
Series:Incursiuni în imaginar
Subjects:
Online Access:http://inimag.uab.ro/upload/12_194_8_37_(7)6-floria(danciu).pdf
Tags: Add Tag
No Tags, Be the first to tag this record!
_version_ 1846166820357144576
author Liliana Danciu
author_facet Liliana Danciu
author_sort Liliana Danciu
collection DOAJ
description In this study, I submitted to a careful analysis the short story, In the courtyard at Dionis, by Mircea Eliade, which I consider a real ars poetica in prose, where the mythical and magical symbols lead to the same idea of the androgyny poetry possible by restoring the symbolic couple poet-muse, poetry-music. The two protagonists, Leana and Adrian, are the myth-characters, the symbol-characters who send to the primary prototypes of the Sun and the Moon, the Star and the Savior, or the couples Dionysos-Apollo, Gebeleizis-Zalmoxis, as many hypostasis of a primary androgynous gods who know the pain of separation and the polarization in the two opposite sides. By relying on the Romanian legendary background, I consider Leana and Adrian are the Moon and the Son, who, by magical point of view, symbolizes the „impurity” of the Non-Brother (Nefratele), respectively the virginity of the solar creative principle of the Brother (Fratele). The names of the two characters of the story are symbolically loaded and they can be interpreted by anagram and through homophonic and paronyms associations with the names of others deities, from there the behaviour at magical and ritualistic level. For decode the profound meanings hidden in text by the master mystagogue, Eliade, I used the Gnostic scenario, where Leana is the celestial Sophia, lost in the hylic world of his Saviorʹ s pending, to release her from the material. Based on Greek mythology, I related the poet amnesia to the loss of his muse, considering the fact that the muses are the daughters of the goddess of memory. I used an adjustment of the Kabbalistic Sephirothic tree to the magical scheme of the Greek muses, and I identify the music in the material world, the 9th sephira, while Apollo corresponds to the first sephira, Kether (the Crown). To achieve the superior Apollonian world of creative imagination, the poet must go dawn to seek the music. But the music is inaccessible, because he forgot the fanic name, in my view, the name of Phanes, the first of the six primary deities in the Orphic mythology. Just when reach the auroral beginnings of the creation, the poet will unite instantly his muse and will became Vates – the poet-prophet, whose word transforms the man-beast in to a gentle-man, heal and save.
format Article
id doaj-art-5220154248614abd97534f8bf710f48c
institution Kabale University
issn 2501-2169
2601-5137
language English
publishDate 2016-10-01
publisher "1 Decembrie 1918" University of Alba Iulia
record_format Article
series Incursiuni în imaginar
spelling doaj-art-5220154248614abd97534f8bf710f48c2024-11-15T09:22:44Zeng"1 Decembrie 1918" University of Alba IuliaIncursiuni în imaginar2501-21692601-51372016-10-017111513610.29302/InImag.2016.7.6Între cântec și descântec. Construcțiile magicului poetic. În curte la Dionis, de Mircea Eliade / BETWEEN CANTATION AND INCANTATION. THE ARCHITECTURE OF THE MAGICAL POETICSLiliana Danciu0"1 Decembrie 1918" University of Alba IuliaIn this study, I submitted to a careful analysis the short story, In the courtyard at Dionis, by Mircea Eliade, which I consider a real ars poetica in prose, where the mythical and magical symbols lead to the same idea of the androgyny poetry possible by restoring the symbolic couple poet-muse, poetry-music. The two protagonists, Leana and Adrian, are the myth-characters, the symbol-characters who send to the primary prototypes of the Sun and the Moon, the Star and the Savior, or the couples Dionysos-Apollo, Gebeleizis-Zalmoxis, as many hypostasis of a primary androgynous gods who know the pain of separation and the polarization in the two opposite sides. By relying on the Romanian legendary background, I consider Leana and Adrian are the Moon and the Son, who, by magical point of view, symbolizes the „impurity” of the Non-Brother (Nefratele), respectively the virginity of the solar creative principle of the Brother (Fratele). The names of the two characters of the story are symbolically loaded and they can be interpreted by anagram and through homophonic and paronyms associations with the names of others deities, from there the behaviour at magical and ritualistic level. For decode the profound meanings hidden in text by the master mystagogue, Eliade, I used the Gnostic scenario, where Leana is the celestial Sophia, lost in the hylic world of his Saviorʹ s pending, to release her from the material. Based on Greek mythology, I related the poet amnesia to the loss of his muse, considering the fact that the muses are the daughters of the goddess of memory. I used an adjustment of the Kabbalistic Sephirothic tree to the magical scheme of the Greek muses, and I identify the music in the material world, the 9th sephira, while Apollo corresponds to the first sephira, Kether (the Crown). To achieve the superior Apollonian world of creative imagination, the poet must go dawn to seek the music. But the music is inaccessible, because he forgot the fanic name, in my view, the name of Phanes, the first of the six primary deities in the Orphic mythology. Just when reach the auroral beginnings of the creation, the poet will unite instantly his muse and will became Vates – the poet-prophet, whose word transforms the man-beast in to a gentle-man, heal and save.http://inimag.uab.ro/upload/12_194_8_37_(7)6-floria(danciu).pdfdionysosphanesorfeuzalmoxispoetmusemagic
spellingShingle Liliana Danciu
Între cântec și descântec. Construcțiile magicului poetic. În curte la Dionis, de Mircea Eliade / BETWEEN CANTATION AND INCANTATION. THE ARCHITECTURE OF THE MAGICAL POETICS
Incursiuni în imaginar
dionysos
phanes
orfeu
zalmoxis
poet
muse
magic
title Între cântec și descântec. Construcțiile magicului poetic. În curte la Dionis, de Mircea Eliade / BETWEEN CANTATION AND INCANTATION. THE ARCHITECTURE OF THE MAGICAL POETICS
title_full Între cântec și descântec. Construcțiile magicului poetic. În curte la Dionis, de Mircea Eliade / BETWEEN CANTATION AND INCANTATION. THE ARCHITECTURE OF THE MAGICAL POETICS
title_fullStr Între cântec și descântec. Construcțiile magicului poetic. În curte la Dionis, de Mircea Eliade / BETWEEN CANTATION AND INCANTATION. THE ARCHITECTURE OF THE MAGICAL POETICS
title_full_unstemmed Între cântec și descântec. Construcțiile magicului poetic. În curte la Dionis, de Mircea Eliade / BETWEEN CANTATION AND INCANTATION. THE ARCHITECTURE OF THE MAGICAL POETICS
title_short Între cântec și descântec. Construcțiile magicului poetic. În curte la Dionis, de Mircea Eliade / BETWEEN CANTATION AND INCANTATION. THE ARCHITECTURE OF THE MAGICAL POETICS
title_sort intre cantec si descantec constructiile magicului poetic in curte la dionis de mircea eliade between cantation and incantation the architecture of the magical poetics
topic dionysos
phanes
orfeu
zalmoxis
poet
muse
magic
url http://inimag.uab.ro/upload/12_194_8_37_(7)6-floria(danciu).pdf
work_keys_str_mv AT lilianadanciu intrecantecsidescantecconstructiilemagiculuipoeticincurteladionisdemirceaeliadebetweencantationandincantationthearchitectureofthemagicalpoetics