A Modal Ontology of Imagination

Everyday aesthetics has been accused of being ontologically and systematically juvenile for a variety of reasons, such as the rejection of some major claims of Kantian aesthetics, its relative newness, its disparate methodologies, and the theoretical and ethical difficulties of outlining a systemati...

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Main Author: Julia de Boer
Format: Article
Language:English
Published: Nederlands Genootschap voor Esthetica (Dutch Association of Aesthetics) 2024-12-01
Series:Aesthetic Investigations
Subjects:
Online Access:https://aestheticinvestigations.eu/article/view/19321
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author Julia de Boer
author_facet Julia de Boer
author_sort Julia de Boer
collection DOAJ
description Everyday aesthetics has been accused of being ontologically and systematically juvenile for a variety of reasons, such as the rejection of some major claims of Kantian aesthetics, its relative newness, its disparate methodologies, and the theoretical and ethical difficulties of outlining a systematic apparatus without reimposing rationalist and colonial perspectives. While it is untrue that everyday aesthetics as a new sub-discipline lacks systematic rigour, another ontology of the everyday will be introduced here. Calvin Seerveld’s aesthetic theory will be outlined and then offered as a resource for understanding the constitutive role imagination plays in analytical and other kinds of thinking. His notion of ‘allusivity’ as the common quality of all aesthetic expression suggests that art, craft, design, and everyday aesthetic appreciation all emerge from the same subjective function of imaginative ‘nuance’. Additionally, his thought comes from within an established tradition of modal ontology begun by 20th century Dutch Continental philosopher Herman Dooyeweerd.
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language English
publishDate 2024-12-01
publisher Nederlands Genootschap voor Esthetica (Dutch Association of Aesthetics)
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spelling doaj-art-4e6d4f01a6614d36b7daf3603a5ff5982025-01-09T13:33:08ZengNederlands Genootschap voor Esthetica (Dutch Association of Aesthetics)Aesthetic Investigations2352-27042024-12-017110.58519/et0jby17A Modal Ontology of ImaginationJulia de Boer0Free University VU Amsterdam, Institute for Christian StudiesEveryday aesthetics has been accused of being ontologically and systematically juvenile for a variety of reasons, such as the rejection of some major claims of Kantian aesthetics, its relative newness, its disparate methodologies, and the theoretical and ethical difficulties of outlining a systematic apparatus without reimposing rationalist and colonial perspectives. While it is untrue that everyday aesthetics as a new sub-discipline lacks systematic rigour, another ontology of the everyday will be introduced here. Calvin Seerveld’s aesthetic theory will be outlined and then offered as a resource for understanding the constitutive role imagination plays in analytical and other kinds of thinking. His notion of ‘allusivity’ as the common quality of all aesthetic expression suggests that art, craft, design, and everyday aesthetic appreciation all emerge from the same subjective function of imaginative ‘nuance’. Additionally, his thought comes from within an established tradition of modal ontology begun by 20th century Dutch Continental philosopher Herman Dooyeweerd. https://aestheticinvestigations.eu/article/view/19321allusivityeveryday aestheticsaesthetic ontologyimaginationphenomenology
spellingShingle Julia de Boer
A Modal Ontology of Imagination
Aesthetic Investigations
allusivity
everyday aesthetics
aesthetic ontology
imagination
phenomenology
title A Modal Ontology of Imagination
title_full A Modal Ontology of Imagination
title_fullStr A Modal Ontology of Imagination
title_full_unstemmed A Modal Ontology of Imagination
title_short A Modal Ontology of Imagination
title_sort modal ontology of imagination
topic allusivity
everyday aesthetics
aesthetic ontology
imagination
phenomenology
url https://aestheticinvestigations.eu/article/view/19321
work_keys_str_mv AT juliadeboer amodalontologyofimagination
AT juliadeboer modalontologyofimagination