Políticas sonoras y música popular en el reciente conflicto social peruano (2022-2023)
This article analyses the government's use of Peruvian musical folklore and its relevance to the protesting population in the context of the current social conflict. Between 2022 and 2023, the government deployed a cultural and sound policy with the aim of legitimising itself, concealing its re...
Saved in:
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | Spanish |
| Published: |
Presses universitaires du Midi
2024-12-01
|
| Series: | Caravelle |
| Subjects: | |
| Online Access: | https://journals.openedition.org/caravelle/16091 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
| _version_ | 1841551331307814912 |
|---|---|
| author | Mónica Cárdenas Moreno |
| author_facet | Mónica Cárdenas Moreno |
| author_sort | Mónica Cárdenas Moreno |
| collection | DOAJ |
| description | This article analyses the government's use of Peruvian musical folklore and its relevance to the protesting population in the context of the current social conflict. Between 2022 and 2023, the government deployed a cultural and sound policy with the aim of legitimising itself, concealing its repression of demonstrators and delegitimising social protest. For its part, the population accompanies its mobilisations with music, makes political use of festivities and dances to express its rejection of the government, and creates a series of songs that seek to structure a network that channels protests into new democratic forms of participation. |
| format | Article |
| id | doaj-art-4c28d6d91df14bd5a56a49091f13581c |
| institution | Kabale University |
| issn | 1147-6753 2272-9828 |
| language | Spanish |
| publishDate | 2024-12-01 |
| publisher | Presses universitaires du Midi |
| record_format | Article |
| series | Caravelle |
| spelling | doaj-art-4c28d6d91df14bd5a56a49091f13581c2025-01-09T16:15:57ZspaPresses universitaires du MidiCaravelle1147-67532272-98282024-12-01123274410.4000/1315bPolíticas sonoras y música popular en el reciente conflicto social peruano (2022-2023)Mónica Cárdenas MorenoThis article analyses the government's use of Peruvian musical folklore and its relevance to the protesting population in the context of the current social conflict. Between 2022 and 2023, the government deployed a cultural and sound policy with the aim of legitimising itself, concealing its repression of demonstrators and delegitimising social protest. For its part, the population accompanies its mobilisations with music, makes political use of festivities and dances to express its rejection of the government, and creates a series of songs that seek to structure a network that channels protests into new democratic forms of participation.https://journals.openedition.org/caravelle/16091PeruSocial conflict21st CenturyFolk musicSound politics |
| spellingShingle | Mónica Cárdenas Moreno Políticas sonoras y música popular en el reciente conflicto social peruano (2022-2023) Caravelle Peru Social conflict 21st Century Folk music Sound politics |
| title | Políticas sonoras y música popular en el reciente conflicto social peruano (2022-2023) |
| title_full | Políticas sonoras y música popular en el reciente conflicto social peruano (2022-2023) |
| title_fullStr | Políticas sonoras y música popular en el reciente conflicto social peruano (2022-2023) |
| title_full_unstemmed | Políticas sonoras y música popular en el reciente conflicto social peruano (2022-2023) |
| title_short | Políticas sonoras y música popular en el reciente conflicto social peruano (2022-2023) |
| title_sort | politicas sonoras y musica popular en el reciente conflicto social peruano 2022 2023 |
| topic | Peru Social conflict 21st Century Folk music Sound politics |
| url | https://journals.openedition.org/caravelle/16091 |
| work_keys_str_mv | AT monicacardenasmoreno politicassonorasymusicapopularenelrecienteconflictosocialperuano20222023 |