« A Shadow behind the Heart » : l’Étranger au cœur de l’intime dans Pnin de Nabokov

According to Nabokov, the writer’s one and only passport is his style, which allows him to cross and especially transcend any geopolitical boundary. For all that, strangers and foreigners are frequently present in his work. One may even say they haunt every one of his novels and stories, especially...

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Main Author: Lara Delage-Toriel
Format: Article
Language:English
Published: Presses universitaires de Rennes 2009-02-01
Series:Revue LISA
Subjects:
Online Access:https://journals.openedition.org/lisa/324
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author Lara Delage-Toriel
author_facet Lara Delage-Toriel
author_sort Lara Delage-Toriel
collection DOAJ
description According to Nabokov, the writer’s one and only passport is his style, which allows him to cross and especially transcend any geopolitical boundary. For all that, strangers and foreigners are frequently present in his work. One may even say they haunt every one of his novels and stories, especially Pnin, in which the eponymous hero most vibrantly embodies that concept coined by the Russian Formalists, ostranenie, “making strange”. The present article will explore the essential strangeness which at once constitutes the external shell of the character and informs his deepest inner self, like the “shadow behind the heart” of Pnin that appears in X-rays yet evades all medical explanation. So how does Nabokov succeed in making the reader sense the foreigner’s condition without depriving it of its edge, its aura of strangeness? How can he make us grasp what must usually evade definition? How does his writing achieve this double-bind, making us experience foreignness from the inside as well as the outside?
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spelling doaj-art-4bf9f164fc634834afcd8d0ad539a2812025-01-06T09:01:53ZengPresses universitaires de RennesRevue LISA1762-61532009-02-01713014110.4000/lisa.324« A Shadow behind the Heart » : l’Étranger au cœur de l’intime dans Pnin de NabokovLara Delage-TorielAccording to Nabokov, the writer’s one and only passport is his style, which allows him to cross and especially transcend any geopolitical boundary. For all that, strangers and foreigners are frequently present in his work. One may even say they haunt every one of his novels and stories, especially Pnin, in which the eponymous hero most vibrantly embodies that concept coined by the Russian Formalists, ostranenie, “making strange”. The present article will explore the essential strangeness which at once constitutes the external shell of the character and informs his deepest inner self, like the “shadow behind the heart” of Pnin that appears in X-rays yet evades all medical explanation. So how does Nabokov succeed in making the reader sense the foreigner’s condition without depriving it of its edge, its aura of strangeness? How can he make us grasp what must usually evade definition? How does his writing achieve this double-bind, making us experience foreignness from the inside as well as the outside?https://journals.openedition.org/lisa/324americannessothernessmulticulturalismdeterritorialized self / languageaporia (hermeneutic)hauntology
spellingShingle Lara Delage-Toriel
« A Shadow behind the Heart » : l’Étranger au cœur de l’intime dans Pnin de Nabokov
Revue LISA
americanness
otherness
multiculturalism
deterritorialized self / language
aporia (hermeneutic)
hauntology
title « A Shadow behind the Heart » : l’Étranger au cœur de l’intime dans Pnin de Nabokov
title_full « A Shadow behind the Heart » : l’Étranger au cœur de l’intime dans Pnin de Nabokov
title_fullStr « A Shadow behind the Heart » : l’Étranger au cœur de l’intime dans Pnin de Nabokov
title_full_unstemmed « A Shadow behind the Heart » : l’Étranger au cœur de l’intime dans Pnin de Nabokov
title_short « A Shadow behind the Heart » : l’Étranger au cœur de l’intime dans Pnin de Nabokov
title_sort a shadow behind the heart l etranger au coeur de l intime dans pnin de nabokov
topic americanness
otherness
multiculturalism
deterritorialized self / language
aporia (hermeneutic)
hauntology
url https://journals.openedition.org/lisa/324
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