Métamorphoses de l’intrigue musicale (XIXe-XXe siècles)
The author defines at first the narratological frame, that of classical narratology, in the aim to explore musical narrativity. She provides six types of definition according to their pertinence in musical analysis. In order to create a possible correspondence between the narrative sequence and the...
Saved in:
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | fra |
| Published: |
Laboratoire Interdisciplinaire Récits Cultures Et Sociétés
2012-01-01
|
| Series: | Cahiers de Narratologie |
| Subjects: | |
| Online Access: | https://journals.openedition.org/narratologie/6503 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
| _version_ | 1846134431793807360 |
|---|---|
| author | Márta Grabócz |
| author_facet | Márta Grabócz |
| author_sort | Márta Grabócz |
| collection | DOAJ |
| description | The author defines at first the narratological frame, that of classical narratology, in the aim to explore musical narrativity. She provides six types of definition according to their pertinence in musical analysis. In order to create a possible correspondence between the narrative sequence and the sections of a musical piece, the author introduces the notion of “musical signification” and their terms used in musicology : the category of “topic” and that of “intonation”. As to their modes of organization within a musical form, some semiotic and narrative models are mentioned, those used by different musicologists. The part III provides “classical” definitions of the plot, followed by two musical examples (a “Biblical sonata” by Kuhnau from 1700 and the Andante of the symphony K.504 of Mozart). The part IV of the article presents the ”post-classical” definitions of the plot which will be illustrated by the Overture N° 3 “Leonor” of Beethoven as an example of “suspense”, and by the Vallée d’Obermann of Liszt as an example of “curiosity”. |
| format | Article |
| id | doaj-art-4b9999c1b30a4ebda96c9ed9a31ef67a |
| institution | Kabale University |
| issn | 0993-8516 1765-307X |
| language | fra |
| publishDate | 2012-01-01 |
| publisher | Laboratoire Interdisciplinaire Récits Cultures Et Sociétés |
| record_format | Article |
| series | Cahiers de Narratologie |
| spelling | doaj-art-4b9999c1b30a4ebda96c9ed9a31ef67a2024-12-09T13:16:02ZfraLaboratoire Interdisciplinaire Récits Cultures Et SociétésCahiers de Narratologie0993-85161765-307X2012-01-012110.4000/narratologie.6503Métamorphoses de l’intrigue musicale (XIXe-XXe siècles)Márta GrabóczThe author defines at first the narratological frame, that of classical narratology, in the aim to explore musical narrativity. She provides six types of definition according to their pertinence in musical analysis. In order to create a possible correspondence between the narrative sequence and the sections of a musical piece, the author introduces the notion of “musical signification” and their terms used in musicology : the category of “topic” and that of “intonation”. As to their modes of organization within a musical form, some semiotic and narrative models are mentioned, those used by different musicologists. The part III provides “classical” definitions of the plot, followed by two musical examples (a “Biblical sonata” by Kuhnau from 1700 and the Andante of the symphony K.504 of Mozart). The part IV of the article presents the ”post-classical” definitions of the plot which will be illustrated by the Overture N° 3 “Leonor” of Beethoven as an example of “suspense”, and by the Vallée d’Obermann of Liszt as an example of “curiosity”.https://journals.openedition.org/narratologie/6503intriguesuspensecuriositémusiquenarrativitésémiotique |
| spellingShingle | Márta Grabócz Métamorphoses de l’intrigue musicale (XIXe-XXe siècles) Cahiers de Narratologie intrigue suspense curiosité musique narrativité sémiotique |
| title | Métamorphoses de l’intrigue musicale (XIXe-XXe siècles) |
| title_full | Métamorphoses de l’intrigue musicale (XIXe-XXe siècles) |
| title_fullStr | Métamorphoses de l’intrigue musicale (XIXe-XXe siècles) |
| title_full_unstemmed | Métamorphoses de l’intrigue musicale (XIXe-XXe siècles) |
| title_short | Métamorphoses de l’intrigue musicale (XIXe-XXe siècles) |
| title_sort | metamorphoses de l intrigue musicale xixe xxe siecles |
| topic | intrigue suspense curiosité musique narrativité sémiotique |
| url | https://journals.openedition.org/narratologie/6503 |
| work_keys_str_mv | AT martagrabocz metamorphosesdelintriguemusicalexixexxesiecles |