The creative history of Naki Isanbet’s comedy “Red-haired chichyan and Black-haired beauty”

The purpose of the study. The purpose of our research is to study the genesis of Naki Isanbet’s comedic text “Jiran chichan belan Karachach sylu” (“Red-haired chichyan and Black-haired beauty”, 1942). Materials and methods of research: The material for the study was preserved in the archives of Nak...

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Main Authors: Zamaletdinov R.R., Khabutdinova M.M.
Format: Article
Language:English
Published: Tatarstan Academy of Sciences, Marjani Institute of History 2023-12-01
Series:Золотоордынское обозрение
Subjects:
Online Access:http://goldhorde.ru/en/stati2023-4-13/
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author Zamaletdinov R.R.
Khabutdinova M.M.
author_facet Zamaletdinov R.R.
Khabutdinova M.M.
author_sort Zamaletdinov R.R.
collection DOAJ
description The purpose of the study. The purpose of our research is to study the genesis of Naki Isanbet’s comedic text “Jiran chichan belan Karachach sylu” (“Red-haired chichyan and Black-haired beauty”, 1942). Materials and methods of research: The material for the study was preserved in the archives of Naki Isanbet’s “Red-haired chichyan and Black-haired beauty” comedy versions. Its study allows us to reconstruct the nature of the author’s idea. The study was conducted using genetic, cultural-historical, and comparative research methods, the choice of which is determined by the nature of the analyzed text. The novelty of the research consists in a comprehensive study of the history of the creation and existence of this comedy in Tatar culture and the identification of its role in popularizing information about the Golden Horde among the Tatars. Research results. Naki Isanbet’s comedy “Jiren chichan belan Karachach sylu” (“Red-haired chichyan and Black-haired beauty”, 1942) is a vivid evidence of the valorization of national cultural values during the Great Patriotic War. During the short period the playwright managed to perpetuate national images of heroes on the stage: Idegey, Tulyak, Jiren chichyan and Karachech sylu. Their roots go back to the glorious history of medieval Tatar states. During the Great Patriotic War, the voices of Jiren chichyan and Karachech sylu (14th century) were heard from the Tatar stage, and people got acquainted with the instructions of Jamukha chichyan (12th century). The performance and the work were banned by censorship. The work was published in 1963 and returned to the stage in 1999 (directed by Farid Bikchantaev).
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institution Kabale University
issn 2308-152X
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publishDate 2023-12-01
publisher Tatarstan Academy of Sciences, Marjani Institute of History
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series Золотоордынское обозрение
spelling doaj-art-490de11422b14580bf707278da45912c2025-01-02T22:21:09ZengTatarstan Academy of Sciences, Marjani Institute of HistoryЗолотоордынское обозрение2308-152X2313-61972023-12-0111493495610.22378/2313-6197.2023-11-4.934-956The creative history of Naki Isanbet’s comedy “Red-haired chichyan and Black-haired beauty”Zamaletdinov R.R.0https://orcid.org/0000-0002-2692-1698Khabutdinova M.M. 1https://orcid.org/0000-0001-8110-4001Kazan (Volga Region) Federal University Kazan, Russian Federation, sovet.rus16@mail.ru Kazan (Volga Region) Federal University Kazan, Russian Federation , mileuscha@mail.ruThe purpose of the study. The purpose of our research is to study the genesis of Naki Isanbet’s comedic text “Jiran chichan belan Karachach sylu” (“Red-haired chichyan and Black-haired beauty”, 1942). Materials and methods of research: The material for the study was preserved in the archives of Naki Isanbet’s “Red-haired chichyan and Black-haired beauty” comedy versions. Its study allows us to reconstruct the nature of the author’s idea. The study was conducted using genetic, cultural-historical, and comparative research methods, the choice of which is determined by the nature of the analyzed text. The novelty of the research consists in a comprehensive study of the history of the creation and existence of this comedy in Tatar culture and the identification of its role in popularizing information about the Golden Horde among the Tatars. Research results. Naki Isanbet’s comedy “Jiren chichan belan Karachach sylu” (“Red-haired chichyan and Black-haired beauty”, 1942) is a vivid evidence of the valorization of national cultural values during the Great Patriotic War. During the short period the playwright managed to perpetuate national images of heroes on the stage: Idegey, Tulyak, Jiren chichyan and Karachech sylu. Their roots go back to the glorious history of medieval Tatar states. During the Great Patriotic War, the voices of Jiren chichyan and Karachech sylu (14th century) were heard from the Tatar stage, and people got acquainted with the instructions of Jamukha chichyan (12th century). The performance and the work were banned by censorship. The work was published in 1963 and returned to the stage in 1999 (directed by Farid Bikchantaev).http://goldhorde.ru/en/stati2023-4-13/historytatar literaturetatar drama comedynaki isanbetgolden horde
spellingShingle Zamaletdinov R.R.
Khabutdinova M.M.
The creative history of Naki Isanbet’s comedy “Red-haired chichyan and Black-haired beauty”
Золотоордынское обозрение
history
tatar literature
tatar drama comedy
naki isanbet
golden horde
title The creative history of Naki Isanbet’s comedy “Red-haired chichyan and Black-haired beauty”
title_full The creative history of Naki Isanbet’s comedy “Red-haired chichyan and Black-haired beauty”
title_fullStr The creative history of Naki Isanbet’s comedy “Red-haired chichyan and Black-haired beauty”
title_full_unstemmed The creative history of Naki Isanbet’s comedy “Red-haired chichyan and Black-haired beauty”
title_short The creative history of Naki Isanbet’s comedy “Red-haired chichyan and Black-haired beauty”
title_sort creative history of naki isanbet s comedy red haired chichyan and black haired beauty
topic history
tatar literature
tatar drama comedy
naki isanbet
golden horde
url http://goldhorde.ru/en/stati2023-4-13/
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