Coreografie dell’“Arcipelago” (2015-2023). Estetica, archeologia, ecologia nel lavoro di Annamaria Ajmone con il luogo

In 2015, dancer and choreographer Annamaria Ajmone began the open project Archipelago. Practices of Temporary Dwelling. It involves choreographic episodes primarily developed and experienced outside traditional theater spaces. The composition doesn’t rely on predetermined imagery or formal movement...

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Main Author: Giada Cipollone
Format: Article
Language:Italian
Published: University of Bologna 2024-12-01
Series:Danza e Ricerca
Online Access:https://danzaericerca.unibo.it/article/view/20946
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author Giada Cipollone
author_facet Giada Cipollone
author_sort Giada Cipollone
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description In 2015, dancer and choreographer Annamaria Ajmone began the open project Archipelago. Practices of Temporary Dwelling. It involves choreographic episodes primarily developed and experienced outside traditional theater spaces. The composition doesn’t rely on predetermined imagery or formal movement scores but emerges from the interaction between the body and the specific context. The essay discusses the evolution of Archipelago over time: it shifts from aesthetically and visually enhancing the environment to a more “archaeological” approach, delving into even the most hidden and spectral narratives. It then progresses to a more “ecological” perspective, conceptualizing the place as an ecosystem where the body dances together and like the moving matter.
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institution Kabale University
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series Danza e Ricerca
spelling doaj-art-48ec8cec7cf54377942e9d97230ad77d2025-01-10T10:44:39ZitaUniversity of BolognaDanza e Ricerca2036-15992024-12-0120121310.6092/issn.2036-1599/2094619318Coreografie dell’“Arcipelago” (2015-2023). Estetica, archeologia, ecologia nel lavoro di Annamaria Ajmone con il luogoGiada Cipollone0Università Iuav di VeneziaIn 2015, dancer and choreographer Annamaria Ajmone began the open project Archipelago. Practices of Temporary Dwelling. It involves choreographic episodes primarily developed and experienced outside traditional theater spaces. The composition doesn’t rely on predetermined imagery or formal movement scores but emerges from the interaction between the body and the specific context. The essay discusses the evolution of Archipelago over time: it shifts from aesthetically and visually enhancing the environment to a more “archaeological” approach, delving into even the most hidden and spectral narratives. It then progresses to a more “ecological” perspective, conceptualizing the place as an ecosystem where the body dances together and like the moving matter.https://danzaericerca.unibo.it/article/view/20946
spellingShingle Giada Cipollone
Coreografie dell’“Arcipelago” (2015-2023). Estetica, archeologia, ecologia nel lavoro di Annamaria Ajmone con il luogo
Danza e Ricerca
title Coreografie dell’“Arcipelago” (2015-2023). Estetica, archeologia, ecologia nel lavoro di Annamaria Ajmone con il luogo
title_full Coreografie dell’“Arcipelago” (2015-2023). Estetica, archeologia, ecologia nel lavoro di Annamaria Ajmone con il luogo
title_fullStr Coreografie dell’“Arcipelago” (2015-2023). Estetica, archeologia, ecologia nel lavoro di Annamaria Ajmone con il luogo
title_full_unstemmed Coreografie dell’“Arcipelago” (2015-2023). Estetica, archeologia, ecologia nel lavoro di Annamaria Ajmone con il luogo
title_short Coreografie dell’“Arcipelago” (2015-2023). Estetica, archeologia, ecologia nel lavoro di Annamaria Ajmone con il luogo
title_sort coreografie dell arcipelago 2015 2023 estetica archeologia ecologia nel lavoro di annamaria ajmone con il luogo
url https://danzaericerca.unibo.it/article/view/20946
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