Multi-Analytical Characterization of Illuminated Choirbooks from the Royal Audience of Quito

Choirbooks are historical heritage manuscripts used for the performance of vocal music in religious ceremonies in colonial times. This study aimed to understand the characteristics of choirbook manuscripts produced in the Real Audiencia de Quito during the 17th century. The methodology combined non-...

Full description

Saved in:
Bibliographic Details
Main Authors: Martha Romero-Bastidas, Katherine Guacho-Pachacama, Carlos Vásquez-Mora, Fernando Espinoza-Guerra, Rita Díaz-Benalcázar, Johanna Ramírez-Bustamante, Luis Ramos-Guerrero
Format: Article
Language:English
Published: MDPI AG 2024-11-01
Series:Heritage
Subjects:
Online Access:https://www.mdpi.com/2571-9408/7/12/305
Tags: Add Tag
No Tags, Be the first to tag this record!
_version_ 1846104420164567040
author Martha Romero-Bastidas
Katherine Guacho-Pachacama
Carlos Vásquez-Mora
Fernando Espinoza-Guerra
Rita Díaz-Benalcázar
Johanna Ramírez-Bustamante
Luis Ramos-Guerrero
author_facet Martha Romero-Bastidas
Katherine Guacho-Pachacama
Carlos Vásquez-Mora
Fernando Espinoza-Guerra
Rita Díaz-Benalcázar
Johanna Ramírez-Bustamante
Luis Ramos-Guerrero
author_sort Martha Romero-Bastidas
collection DOAJ
description Choirbooks are historical heritage manuscripts used for the performance of vocal music in religious ceremonies in colonial times. This study aimed to understand the characteristics of choirbook manuscripts produced in the Real Audiencia de Quito during the 17th century. The methodology combined non-invasive techniques, such as infrared false-color imaging (IRFC) and X-ray fluorescence (XRF), together with spot analysis by scanning electron microscopy with energy-dispersive X-ray spectroscopy (SEM-EDX) and Fourier transform infrared spectroscopy with attenuated total reflection (FTIR-ATR). The analytical results revealed the use of pumice, chalk and lime carbonate as support materials in the manufacturing process and surface treatment of the parchment. In the illuminations, three pictorial techniques based on protein, polysaccharide and lipid binders were recognized, establishing that the pigments used with greater regularity in the illuminations were vermilion, minium, verdigris, orpiment, azurite, and indigo, preferably in a pure state. Materials used less regularly were also identified, such as yellow ochre, saffron, smalt, red ochre, and bone black, among others. Regarding the vulnerability of the pictorial materials, it was determined that, although most of the pigments exhibit chemical stability, they present some vulnerabilities associated with their intrinsic composition and the medium that contains them.
format Article
id doaj-art-48aacbddcb394229b7c8dfa716a3a271
institution Kabale University
issn 2571-9408
language English
publishDate 2024-11-01
publisher MDPI AG
record_format Article
series Heritage
spelling doaj-art-48aacbddcb394229b7c8dfa716a3a2712024-12-27T14:28:45ZengMDPI AGHeritage2571-94082024-11-017126592661310.3390/heritage7120305Multi-Analytical Characterization of Illuminated Choirbooks from the Royal Audience of QuitoMartha Romero-Bastidas0Katherine Guacho-Pachacama1Carlos Vásquez-Mora2Fernando Espinoza-Guerra3Rita Díaz-Benalcázar4Johanna Ramírez-Bustamante5Luis Ramos-Guerrero6Universidad UTE, Facultad de Ciencias de la Ingeniería e Industrias, Carrera de Alimentos, Centro de Investigación de Alimentos (CIAL), Quito 170527, EcuadorFacultad de Ciencias Químicas, Universidad Central del Ecuador, Quito 170521, EcuadorInstituto Nacional de Patrimonio Cultural (INPC), Dirección de Investigación e Innovación, Quito 170522, EcuadorInstituto Nacional de Patrimonio Cultural (INPC), Dirección de Investigación e Innovación, Quito 170522, EcuadorInstituto Nacional de Patrimonio Cultural (INPC), Dirección de Investigación e Innovación, Quito 170522, EcuadorInstituto Nacional de Patrimonio Cultural (INPC), Dirección de Investigación e Innovación, Quito 170522, EcuadorGrupo de Investigación Bio-Quimioinformática, Carrera de Ingeniería Agroindustrial, Facultad de Ingeniería y Ciencias Aplicadas, Universidad de Las Américas (UDLA), Quito 170503, EcuadorChoirbooks are historical heritage manuscripts used for the performance of vocal music in religious ceremonies in colonial times. This study aimed to understand the characteristics of choirbook manuscripts produced in the Real Audiencia de Quito during the 17th century. The methodology combined non-invasive techniques, such as infrared false-color imaging (IRFC) and X-ray fluorescence (XRF), together with spot analysis by scanning electron microscopy with energy-dispersive X-ray spectroscopy (SEM-EDX) and Fourier transform infrared spectroscopy with attenuated total reflection (FTIR-ATR). The analytical results revealed the use of pumice, chalk and lime carbonate as support materials in the manufacturing process and surface treatment of the parchment. In the illuminations, three pictorial techniques based on protein, polysaccharide and lipid binders were recognized, establishing that the pigments used with greater regularity in the illuminations were vermilion, minium, verdigris, orpiment, azurite, and indigo, preferably in a pure state. Materials used less regularly were also identified, such as yellow ochre, saffron, smalt, red ochre, and bone black, among others. Regarding the vulnerability of the pictorial materials, it was determined that, although most of the pigments exhibit chemical stability, they present some vulnerabilities associated with their intrinsic composition and the medium that contains them.https://www.mdpi.com/2571-9408/7/12/305Royal Audience of Quitoilluminated manuscriptconservation heritage
spellingShingle Martha Romero-Bastidas
Katherine Guacho-Pachacama
Carlos Vásquez-Mora
Fernando Espinoza-Guerra
Rita Díaz-Benalcázar
Johanna Ramírez-Bustamante
Luis Ramos-Guerrero
Multi-Analytical Characterization of Illuminated Choirbooks from the Royal Audience of Quito
Heritage
Royal Audience of Quito
illuminated manuscript
conservation heritage
title Multi-Analytical Characterization of Illuminated Choirbooks from the Royal Audience of Quito
title_full Multi-Analytical Characterization of Illuminated Choirbooks from the Royal Audience of Quito
title_fullStr Multi-Analytical Characterization of Illuminated Choirbooks from the Royal Audience of Quito
title_full_unstemmed Multi-Analytical Characterization of Illuminated Choirbooks from the Royal Audience of Quito
title_short Multi-Analytical Characterization of Illuminated Choirbooks from the Royal Audience of Quito
title_sort multi analytical characterization of illuminated choirbooks from the royal audience of quito
topic Royal Audience of Quito
illuminated manuscript
conservation heritage
url https://www.mdpi.com/2571-9408/7/12/305
work_keys_str_mv AT martharomerobastidas multianalyticalcharacterizationofilluminatedchoirbooksfromtheroyalaudienceofquito
AT katherineguachopachacama multianalyticalcharacterizationofilluminatedchoirbooksfromtheroyalaudienceofquito
AT carlosvasquezmora multianalyticalcharacterizationofilluminatedchoirbooksfromtheroyalaudienceofquito
AT fernandoespinozaguerra multianalyticalcharacterizationofilluminatedchoirbooksfromtheroyalaudienceofquito
AT ritadiazbenalcazar multianalyticalcharacterizationofilluminatedchoirbooksfromtheroyalaudienceofquito
AT johannaramirezbustamante multianalyticalcharacterizationofilluminatedchoirbooksfromtheroyalaudienceofquito
AT luisramosguerrero multianalyticalcharacterizationofilluminatedchoirbooksfromtheroyalaudienceofquito