Assassinio nella Cattedrale de Pizzetti :le retour du religieux sur la scène musicale italienne des années 1950
When he began setting T.-S. Eliot’s play to music as Assassinio nella Cattedrale in the second half of the 1950’s, Pizzetti was already of a respectable age and had nothing left to prove in musical composition and drama. He shared with Eliot a passion for Dante’s poetry, but Bishop Bell’s commission...
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| Format: | Article |
| Language: | English |
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Presses universitaires de Rennes
2014-10-01
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| Series: | Revue LISA |
| Subjects: | |
| Online Access: | https://journals.openedition.org/lisa/6721 |
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