Keith Haring et l’héritage de la peinture américaine du XXème siècle

Although Keith Haring is seen as a pioneer in the street art movement, the sources of his work are often limited to Pop Art. Yet, Haring’s street art practices do not depart from the past trends retaining instead many key aspects and principles at the core of 20th century American art. As a matter o...

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Main Author: Hélène Gaillard
Format: Article
Language:fra
Published: Laboratoire Interdisciplinaire Récits Cultures Et Sociétés 2016-01-01
Series:Cahiers de Narratologie
Subjects:
Online Access:https://journals.openedition.org/narratologie/7399
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author Hélène Gaillard
author_facet Hélène Gaillard
author_sort Hélène Gaillard
collection DOAJ
description Although Keith Haring is seen as a pioneer in the street art movement, the sources of his work are often limited to Pop Art. Yet, Haring’s street art practices do not depart from the past trends retaining instead many key aspects and principles at the core of 20th century American art. As a matter of fact, the street artist acknowledges Ashcan school leader Robert Henri — who started a trend said to be the first democratic American art—as his main influence. By observing to what extent Haring’s art echoes the preexisting American artistic values, this study will provide a new historic context to the origins of street art. It will also lead to reexamine the question of street art’s radicalism, considering the gradual evolution of its paradoxical acceptance into museums.
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institution Kabale University
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record_format Article
series Cahiers de Narratologie
spelling doaj-art-4627af86f6564d1b856c3afaf6ae240b2024-12-09T13:17:40ZfraLaboratoire Interdisciplinaire Récits Cultures Et SociétésCahiers de Narratologie0993-85161765-307X2016-01-012910.4000/narratologie.7399Keith Haring et l’héritage de la peinture américaine du XXème siècleHélène GaillardAlthough Keith Haring is seen as a pioneer in the street art movement, the sources of his work are often limited to Pop Art. Yet, Haring’s street art practices do not depart from the past trends retaining instead many key aspects and principles at the core of 20th century American art. As a matter of fact, the street artist acknowledges Ashcan school leader Robert Henri — who started a trend said to be the first democratic American art—as his main influence. By observing to what extent Haring’s art echoes the preexisting American artistic values, this study will provide a new historic context to the origins of street art. It will also lead to reexamine the question of street art’s radicalism, considering the gradual evolution of its paradoxical acceptance into museums.https://journals.openedition.org/narratologie/7399peinturestreet artréalismerégionalismeexpressionnisme abstraithéritage
spellingShingle Hélène Gaillard
Keith Haring et l’héritage de la peinture américaine du XXème siècle
Cahiers de Narratologie
peinture
street art
réalisme
régionalisme
expressionnisme abstrait
héritage
title Keith Haring et l’héritage de la peinture américaine du XXème siècle
title_full Keith Haring et l’héritage de la peinture américaine du XXème siècle
title_fullStr Keith Haring et l’héritage de la peinture américaine du XXème siècle
title_full_unstemmed Keith Haring et l’héritage de la peinture américaine du XXème siècle
title_short Keith Haring et l’héritage de la peinture américaine du XXème siècle
title_sort keith haring et l heritage de la peinture americaine du xxeme siecle
topic peinture
street art
réalisme
régionalisme
expressionnisme abstrait
héritage
url https://journals.openedition.org/narratologie/7399
work_keys_str_mv AT helenegaillard keithharingetlheritagedelapeintureamericaineduxxemesiecle