« I was the only one of the family who wasn't quite sane » : être femme, épouse, mère et artiste dans The Creators (1910) de May Sinclair
This paper focuses on May Sinclair’s 1910 Künstlerroman The Creators, which revolves around the life and experience of Jane Holland, a successful writer, as well as of several other artist figures, both male and female. In the novel, female creation involves transgression as it is shown to be incomp...
Saved in:
Main Author: | Leslie de Bont |
---|---|
Format: | Article |
Language: | English |
Published: |
Presses Universitaires de la Méditerranée
2014-06-01
|
Series: | Cahiers Victoriens et Edouardiens |
Subjects: | |
Online Access: | https://journals.openedition.org/cve/1127 |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
May Sinclair’s Romantic Corpus
by: Leslie de Bont
Published: (2024-12-01) -
May Sinclair’s Literary Criticism: A Commitment to Modernity
by: Isabelle BRASME
Published: (2018-06-01) -
“The man who wasn’t there”—and was “out there”: Chigurh as cinematic figure
by: Nicole Cloarec
Published: (2023-01-01) -
Preaching Prophets: Upton Sinclair and The Moslem Sunrise
by: Steven Bembridge
Published: (2018-07-01) -
Meaningful miracles: Unraveling eucatastrophe in the select fantasy fiction of J.K. Rowling
by: Swathi Metla, et al.
Published: (2024-12-01)