Graphic Nonviolence: Framing “Good Trouble” in John Lewis’ March

This paper investigates the graphic memoir trilogy March that U.S. Congressman and civil rights leader John Lewis co-authored with Andrew Aydin and artist Nate Powell. The aim of the article is to describe how justice and injustice are framed in Lewis’ remembrance with regard to Lewis’ slogan of “go...

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Main Author: Johannes C. P. Schmid
Format: Article
Language:English
Published: European Association for American Studies 2019-03-01
Series:European Journal of American Studies
Subjects:
Online Access:https://journals.openedition.org/ejas/13922
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author Johannes C. P. Schmid
author_facet Johannes C. P. Schmid
author_sort Johannes C. P. Schmid
collection DOAJ
description This paper investigates the graphic memoir trilogy March that U.S. Congressman and civil rights leader John Lewis co-authored with Andrew Aydin and artist Nate Powell. The aim of the article is to describe how justice and injustice are framed in Lewis’ remembrance with regard to Lewis’ slogan of “good trouble.” In particular, it formulates an approach to investigate framing strategies that the work employs within the mediality of comics. Thus, the visual and material frames of the text are examined as techniques to facilitate political framing. Finally, the framing strategies of March will be correlated to the mobilization strategies of the civil rights movement.
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spelling doaj-art-40619e4f46e94a1aaeafa67cdf2e4f652025-01-06T09:08:55ZengEuropean Association for American StudiesEuropean Journal of American Studies1991-93362019-03-0113410.4000/ejas.13922Graphic Nonviolence: Framing “Good Trouble” in John Lewis’ MarchJohannes C. P. SchmidThis paper investigates the graphic memoir trilogy March that U.S. Congressman and civil rights leader John Lewis co-authored with Andrew Aydin and artist Nate Powell. The aim of the article is to describe how justice and injustice are framed in Lewis’ remembrance with regard to Lewis’ slogan of “good trouble.” In particular, it formulates an approach to investigate framing strategies that the work employs within the mediality of comics. Thus, the visual and material frames of the text are examined as techniques to facilitate political framing. Finally, the framing strategies of March will be correlated to the mobilization strategies of the civil rights movement.https://journals.openedition.org/ejas/13922Martin Luther KingMarchGraphic MemoirFramingFramesNonviolence
spellingShingle Johannes C. P. Schmid
Graphic Nonviolence: Framing “Good Trouble” in John Lewis’ March
European Journal of American Studies
Martin Luther King
March
Graphic Memoir
Framing
Frames
Nonviolence
title Graphic Nonviolence: Framing “Good Trouble” in John Lewis’ March
title_full Graphic Nonviolence: Framing “Good Trouble” in John Lewis’ March
title_fullStr Graphic Nonviolence: Framing “Good Trouble” in John Lewis’ March
title_full_unstemmed Graphic Nonviolence: Framing “Good Trouble” in John Lewis’ March
title_short Graphic Nonviolence: Framing “Good Trouble” in John Lewis’ March
title_sort graphic nonviolence framing good trouble in john lewis march
topic Martin Luther King
March
Graphic Memoir
Framing
Frames
Nonviolence
url https://journals.openedition.org/ejas/13922
work_keys_str_mv AT johannescpschmid graphicnonviolenceframinggoodtroubleinjohnlewismarch