Graphic Nonviolence: Framing “Good Trouble” in John Lewis’ March
This paper investigates the graphic memoir trilogy March that U.S. Congressman and civil rights leader John Lewis co-authored with Andrew Aydin and artist Nate Powell. The aim of the article is to describe how justice and injustice are framed in Lewis’ remembrance with regard to Lewis’ slogan of “go...
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Format: | Article |
Language: | English |
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European Association for American Studies
2019-03-01
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Series: | European Journal of American Studies |
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Online Access: | https://journals.openedition.org/ejas/13922 |
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author | Johannes C. P. Schmid |
author_facet | Johannes C. P. Schmid |
author_sort | Johannes C. P. Schmid |
collection | DOAJ |
description | This paper investigates the graphic memoir trilogy March that U.S. Congressman and civil rights leader John Lewis co-authored with Andrew Aydin and artist Nate Powell. The aim of the article is to describe how justice and injustice are framed in Lewis’ remembrance with regard to Lewis’ slogan of “good trouble.” In particular, it formulates an approach to investigate framing strategies that the work employs within the mediality of comics. Thus, the visual and material frames of the text are examined as techniques to facilitate political framing. Finally, the framing strategies of March will be correlated to the mobilization strategies of the civil rights movement. |
format | Article |
id | doaj-art-40619e4f46e94a1aaeafa67cdf2e4f65 |
institution | Kabale University |
issn | 1991-9336 |
language | English |
publishDate | 2019-03-01 |
publisher | European Association for American Studies |
record_format | Article |
series | European Journal of American Studies |
spelling | doaj-art-40619e4f46e94a1aaeafa67cdf2e4f652025-01-06T09:08:55ZengEuropean Association for American StudiesEuropean Journal of American Studies1991-93362019-03-0113410.4000/ejas.13922Graphic Nonviolence: Framing “Good Trouble” in John Lewis’ MarchJohannes C. P. SchmidThis paper investigates the graphic memoir trilogy March that U.S. Congressman and civil rights leader John Lewis co-authored with Andrew Aydin and artist Nate Powell. The aim of the article is to describe how justice and injustice are framed in Lewis’ remembrance with regard to Lewis’ slogan of “good trouble.” In particular, it formulates an approach to investigate framing strategies that the work employs within the mediality of comics. Thus, the visual and material frames of the text are examined as techniques to facilitate political framing. Finally, the framing strategies of March will be correlated to the mobilization strategies of the civil rights movement.https://journals.openedition.org/ejas/13922Martin Luther KingMarchGraphic MemoirFramingFramesNonviolence |
spellingShingle | Johannes C. P. Schmid Graphic Nonviolence: Framing “Good Trouble” in John Lewis’ March European Journal of American Studies Martin Luther King March Graphic Memoir Framing Frames Nonviolence |
title | Graphic Nonviolence: Framing “Good Trouble” in John Lewis’ March |
title_full | Graphic Nonviolence: Framing “Good Trouble” in John Lewis’ March |
title_fullStr | Graphic Nonviolence: Framing “Good Trouble” in John Lewis’ March |
title_full_unstemmed | Graphic Nonviolence: Framing “Good Trouble” in John Lewis’ March |
title_short | Graphic Nonviolence: Framing “Good Trouble” in John Lewis’ March |
title_sort | graphic nonviolence framing good trouble in john lewis march |
topic | Martin Luther King March Graphic Memoir Framing Frames Nonviolence |
url | https://journals.openedition.org/ejas/13922 |
work_keys_str_mv | AT johannescpschmid graphicnonviolenceframinggoodtroubleinjohnlewismarch |