Le « rêve américain » et sa fin : de la photographie à la sculpture, aller-retour

The essay follows the path of the «American dream» imagery, which found one of its most famous and celebrated expressions in a photograph, Lunch atop a Skyscraper. In 1989, Duane Hanson presented a hyper-realistic sculpture that clearly refers to the very same imagery. However, compared to the seren...

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Main Author: Pietro Conte
Format: Article
Language:fra
Published: Centre d´Histoire et Théorie des Arts 2018-12-01
Series:Images Re-Vues
Subjects:
Online Access:https://journals.openedition.org/imagesrevues/5405
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author Pietro Conte
author_facet Pietro Conte
author_sort Pietro Conte
collection DOAJ
description The essay follows the path of the «American dream» imagery, which found one of its most famous and celebrated expressions in a photograph, Lunch atop a Skyscraper. In 1989, Duane Hanson presented a hyper-realistic sculpture that clearly refers to the very same imagery. However, compared to the serenity and confidence in the future that shone through the photograph, Lunch Break conveys a completely different atmosphere, suggesting that the «American dream» has been slowly turning into a nightmare. By adopting a phenomenological approach, we will show that the change of medium contributed greatly to the radical change in the meaning of the imagery itself, and this, in turn, will allow us to see all the tragic consequences of the «American dream». Duane Hanson’s work has been remediated and resemantized in 2003 by another US artist, Sharon Lockhart. By examining this very last stage of our iconic journey, we shall show that writing a «biography» of an imagery means to provide a biography of a whole nation.
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institution Kabale University
issn 1778-3801
language fra
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publisher Centre d´Histoire et Théorie des Arts
record_format Article
series Images Re-Vues
spelling doaj-art-3fa6037cf9154740ba5301af0a96a1d42024-12-09T15:50:51ZfraCentre d´Histoire et Théorie des ArtsImages Re-Vues1778-38012018-12-011510.4000/imagesrevues.5405Le « rêve américain » et sa fin : de la photographie à la sculpture, aller-retourPietro ConteThe essay follows the path of the «American dream» imagery, which found one of its most famous and celebrated expressions in a photograph, Lunch atop a Skyscraper. In 1989, Duane Hanson presented a hyper-realistic sculpture that clearly refers to the very same imagery. However, compared to the serenity and confidence in the future that shone through the photograph, Lunch Break conveys a completely different atmosphere, suggesting that the «American dream» has been slowly turning into a nightmare. By adopting a phenomenological approach, we will show that the change of medium contributed greatly to the radical change in the meaning of the imagery itself, and this, in turn, will allow us to see all the tragic consequences of the «American dream». Duane Hanson’s work has been remediated and resemantized in 2003 by another US artist, Sharon Lockhart. By examining this very last stage of our iconic journey, we shall show that writing a «biography» of an imagery means to provide a biography of a whole nation.https://journals.openedition.org/imagesrevues/5405Imageryresemantizationremediationhyper-realismimage consciousness
spellingShingle Pietro Conte
Le « rêve américain » et sa fin : de la photographie à la sculpture, aller-retour
Images Re-Vues
Imagery
resemantization
remediation
hyper-realism
image consciousness
title Le « rêve américain » et sa fin : de la photographie à la sculpture, aller-retour
title_full Le « rêve américain » et sa fin : de la photographie à la sculpture, aller-retour
title_fullStr Le « rêve américain » et sa fin : de la photographie à la sculpture, aller-retour
title_full_unstemmed Le « rêve américain » et sa fin : de la photographie à la sculpture, aller-retour
title_short Le « rêve américain » et sa fin : de la photographie à la sculpture, aller-retour
title_sort le reve americain et sa fin de la photographie a la sculpture aller retour
topic Imagery
resemantization
remediation
hyper-realism
image consciousness
url https://journals.openedition.org/imagesrevues/5405
work_keys_str_mv AT pietroconte lereveamericainetsafindelaphotographiealasculptureallerretour