Œil pour œil : l’art contre la technopolice
At the frontier of digital arts, philosophy of techniques and the resolutely critical “surveillance studies”, this article proposes the ethnography of a controversy, aesthetic and political, which occurred on the occasion of the exhibition of Capture, a project of the Italian artist Paolo Cirio (202...
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| Format: | Article |
| Language: | fra |
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MSH Paris Nord
2023-02-01
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| Series: | Appareil |
| Subjects: | |
| Online Access: | https://journals.openedition.org/appareil/6216 |
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