De la revue d’avant-garde à la reconnaissance publique : la collaboration entre architectes et plasticiens à Liège dans les années 1930
In 1928, students from the Academy of Fine Arts in Liege founded a journal of architecture and town planning called L’Équerre. Although it was something of a latecomer to international avant-garde movements, the monthly magazine set out with a view of architecture that focused on the connections bet...
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| Format: | Article |
| Language: | fra |
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Ministère de la Culture et de la Communication
2017-07-01
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| Series: | In Situ |
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| Online Access: | https://journals.openedition.org/insitu/15061 |
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| _version_ | 1846133050729037824 |
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| author | Sébastien Charlier |
| author_facet | Sébastien Charlier |
| author_sort | Sébastien Charlier |
| collection | DOAJ |
| description | In 1928, students from the Academy of Fine Arts in Liege founded a journal of architecture and town planning called L’Équerre. Although it was something of a latecomer to international avant-garde movements, the monthly magazine set out with a view of architecture that focused on the connections between architecture and art. From the beginning, L’Équerre was associated with Anthology, a magazine marked by the theories of Futurism that published artists of the local avant-garde scene. Starting out in the limited context of magazines and exhibitions, artists and architects then went on to work together on ambitious building projects supported by public money. This article aims look at the roots of this collaboration by examining the theoretical and personal links between the two journals. By focusing on public buildings, our analysis will show what concrete actions artists and architects initiated to respond to architectural commissions taking into account the social, political and economic background of a medium-sized Belgian city before the Second World War. |
| format | Article |
| id | doaj-art-3cd1119da03b4a76aadc395e7d96cdd8 |
| institution | Kabale University |
| issn | 1630-7305 |
| language | fra |
| publishDate | 2017-07-01 |
| publisher | Ministère de la Culture et de la Communication |
| record_format | Article |
| series | In Situ |
| spelling | doaj-art-3cd1119da03b4a76aadc395e7d96cdd82024-12-09T14:10:03ZfraMinistère de la Culture et de la CommunicationIn Situ1630-73052017-07-013210.4000/insitu.15061De la revue d’avant-garde à la reconnaissance publique : la collaboration entre architectes et plasticiens à Liège dans les années 1930Sébastien CharlierIn 1928, students from the Academy of Fine Arts in Liege founded a journal of architecture and town planning called L’Équerre. Although it was something of a latecomer to international avant-garde movements, the monthly magazine set out with a view of architecture that focused on the connections between architecture and art. From the beginning, L’Équerre was associated with Anthology, a magazine marked by the theories of Futurism that published artists of the local avant-garde scene. Starting out in the limited context of magazines and exhibitions, artists and architects then went on to work together on ambitious building projects supported by public money. This article aims look at the roots of this collaboration by examining the theoretical and personal links between the two journals. By focusing on public buildings, our analysis will show what concrete actions artists and architects initiated to respond to architectural commissions taking into account the social, political and economic background of a medium-sized Belgian city before the Second World War.https://journals.openedition.org/insitu/15061heritagearchitectureeditionschool architecturereviewavant-garde |
| spellingShingle | Sébastien Charlier De la revue d’avant-garde à la reconnaissance publique : la collaboration entre architectes et plasticiens à Liège dans les années 1930 In Situ heritage architecture edition school architecture review avant-garde |
| title | De la revue d’avant-garde à la reconnaissance publique : la collaboration entre architectes et plasticiens à Liège dans les années 1930 |
| title_full | De la revue d’avant-garde à la reconnaissance publique : la collaboration entre architectes et plasticiens à Liège dans les années 1930 |
| title_fullStr | De la revue d’avant-garde à la reconnaissance publique : la collaboration entre architectes et plasticiens à Liège dans les années 1930 |
| title_full_unstemmed | De la revue d’avant-garde à la reconnaissance publique : la collaboration entre architectes et plasticiens à Liège dans les années 1930 |
| title_short | De la revue d’avant-garde à la reconnaissance publique : la collaboration entre architectes et plasticiens à Liège dans les années 1930 |
| title_sort | de la revue d avant garde a la reconnaissance publique la collaboration entre architectes et plasticiens a liege dans les annees 1930 |
| topic | heritage architecture edition school architecture review avant-garde |
| url | https://journals.openedition.org/insitu/15061 |
| work_keys_str_mv | AT sebastiencharlier delarevuedavantgardealareconnaissancepubliquelacollaborationentrearchitectesetplasticiensaliegedanslesannees1930 |