La captation et ses paradoxes. Réflexions sur la mise en vidéo des concerts à l’ère de la plateformisation de la musique
The massive circulation of concert videos on digital platforms questions more than ever the concert as an exclusive ritual. In France, these videos are called “captation” (video recording). This article aims at discussing the multiple paradoxes of this term. For this purpose, we rely on an explorato...
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| Format: | Article |
| Language: | English |
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Université du Québec à Montréal
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| Series: | Communiquer |
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| Online Access: | https://journals.openedition.org/communiquer/9958 |
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| author | Michaël Spanu Catherine Rudent |
| author_facet | Michaël Spanu Catherine Rudent |
| author_sort | Michaël Spanu |
| collection | DOAJ |
| description | The massive circulation of concert videos on digital platforms questions more than ever the concert as an exclusive ritual. In France, these videos are called “captation” (video recording). This article aims at discussing the multiple paradoxes of this term. For this purpose, we rely on an exploratory investigation conducted with French professionals in 2019. In the first section of the article, we highlight the inherent tension between secret and publicity to the concert situation that still operates in a digital era. In the second section, we investigate the paradoxical attempt to transpose the exclusive dimension of a concert on a screen, in the shape of a document. In the last section, we argue how concert videos can go beyond the document paradigm under certain conditions, becoming performative objects that affect the concert in return, especially in the context of digital platforms. Each paradigm entails specific questions related to aesthetics, economy and heritage. |
| format | Article |
| id | doaj-art-3cbf36a7597145d1bf90f23d9c84c374 |
| institution | Kabale University |
| issn | 2368-9587 |
| language | English |
| publisher | Université du Québec à Montréal |
| record_format | Article |
| series | Communiquer |
| spelling | doaj-art-3cbf36a7597145d1bf90f23d9c84c3742025-01-13T13:44:22ZengUniversité du Québec à MontréalCommuniquer2368-95873510112010.4000/communiquer.9958La captation et ses paradoxes. Réflexions sur la mise en vidéo des concerts à l’ère de la plateformisation de la musiqueMichaël SpanuCatherine RudentThe massive circulation of concert videos on digital platforms questions more than ever the concert as an exclusive ritual. In France, these videos are called “captation” (video recording). This article aims at discussing the multiple paradoxes of this term. For this purpose, we rely on an exploratory investigation conducted with French professionals in 2019. In the first section of the article, we highlight the inherent tension between secret and publicity to the concert situation that still operates in a digital era. In the second section, we investigate the paradoxical attempt to transpose the exclusive dimension of a concert on a screen, in the shape of a document. In the last section, we argue how concert videos can go beyond the document paradigm under certain conditions, becoming performative objects that affect the concert in return, especially in the context of digital platforms. Each paradigm entails specific questions related to aesthetics, economy and heritage.https://journals.openedition.org/communiquer/9958performancedigitalheritageconcertconcert video |
| spellingShingle | Michaël Spanu Catherine Rudent La captation et ses paradoxes. Réflexions sur la mise en vidéo des concerts à l’ère de la plateformisation de la musique Communiquer performance digital heritage concert concert video |
| title | La captation et ses paradoxes. Réflexions sur la mise en vidéo des concerts à l’ère de la plateformisation de la musique |
| title_full | La captation et ses paradoxes. Réflexions sur la mise en vidéo des concerts à l’ère de la plateformisation de la musique |
| title_fullStr | La captation et ses paradoxes. Réflexions sur la mise en vidéo des concerts à l’ère de la plateformisation de la musique |
| title_full_unstemmed | La captation et ses paradoxes. Réflexions sur la mise en vidéo des concerts à l’ère de la plateformisation de la musique |
| title_short | La captation et ses paradoxes. Réflexions sur la mise en vidéo des concerts à l’ère de la plateformisation de la musique |
| title_sort | la captation et ses paradoxes reflexions sur la mise en video des concerts a l ere de la plateformisation de la musique |
| topic | performance digital heritage concert concert video |
| url | https://journals.openedition.org/communiquer/9958 |
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