« It starts when you begin to overlook good manners. Any time you quit hearin Sir and Mam the end is pretty much in sight » : la jérémiade dans No Country for Old Men
Is it legitimate to read in the old sheriff Ed Tom Bell’s ruminations the modern accents of an ancient form, that of the jeremiad? This is what Jay Ellis suggests in an article entitled “Fetish and Collapse in No Country for Old Men”. Taking its cue from this suggestion, this article proposes to tra...
Saved in:
Main Author: | François Gavillon |
---|---|
Format: | Article |
Language: | English |
Published: |
Presses universitaires de Rennes
2023-02-01
|
Series: | Revue LISA |
Subjects: | |
Online Access: | https://journals.openedition.org/lisa/15084 |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
En la frontera de Cormac McCarthy
by: Galo Cevallos
Published: (1997-08-01) -
“But lo the thing’s inside and can you guess his shape?”: the semiotic elaboration of Cormac McCarthy’s autotextual creature in his early novels and No Country for Old Men
by: Yvonne-Marie Rogez
Published: (2023-02-01) -
On Being Between: Apocalypse, Adaptation, McCarthy
by: Stacey Peebles
Published: (2017-11-01) -
« Ever step you take is forever » : fin de l’héroïsme et vacuité spirituelle dans No Country for Old Men
by: Martin Berny
Published: (2023-01-01) -
Affect and Gender in Cormac McCarthy’s Outer Dark
by: Julia Tulloh Harper
Published: (2017-12-01)