Chanter le crime à l’heure de l’invention des cafés-concerts parisiens sous le Second Empire
From 1850, the birth of the Café-concert sets a model for the French song that seems to be in contradiction with criminal lament. Claiming to be flimsy, flighty and cheerful, it belongs to the new world of leisure and ignores the crime echoed by laments, broadsides and, after 1863, miscellaneous mas...
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| Format: | Article |
| Language: | English |
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Criminocorpus
2021-03-01
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| Series: | Criminocorpus |
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| Online Access: | https://journals.openedition.org/criminocorpus/8806 |
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| _version_ | 1841557984041238528 |
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| author | Philippe Darriulat |
| author_facet | Philippe Darriulat |
| author_sort | Philippe Darriulat |
| collection | DOAJ |
| description | From 1850, the birth of the Café-concert sets a model for the French song that seems to be in contradiction with criminal lament. Claiming to be flimsy, flighty and cheerful, it belongs to the new world of leisure and ignores the crime echoed by laments, broadsides and, after 1863, miscellaneous mass newspapers. Criminal lament and café-concert songs are two lively and widely circulated kinds of songs. They spread alongside in different spaces and temporalities. This paper studies theirs links, specific features and influences. |
| format | Article |
| id | doaj-art-3bd895c8bbc842989eb46088b151046e |
| institution | Kabale University |
| issn | 2108-6907 |
| language | English |
| publishDate | 2021-03-01 |
| publisher | Criminocorpus |
| record_format | Article |
| series | Criminocorpus |
| spelling | doaj-art-3bd895c8bbc842989eb46088b151046e2025-01-06T09:14:30ZengCriminocorpusCriminocorpus2108-69072021-03-011710.4000/criminocorpus.8806Chanter le crime à l’heure de l’invention des cafés-concerts parisiens sous le Second EmpirePhilippe DarriulatFrom 1850, the birth of the Café-concert sets a model for the French song that seems to be in contradiction with criminal lament. Claiming to be flimsy, flighty and cheerful, it belongs to the new world of leisure and ignores the crime echoed by laments, broadsides and, after 1863, miscellaneous mass newspapers. Criminal lament and café-concert songs are two lively and widely circulated kinds of songs. They spread alongside in different spaces and temporalities. This paper studies theirs links, specific features and influences.https://journals.openedition.org/criminocorpus/8806café-concertcriminal complaintsmass cultureleisuremiscellaneous news |
| spellingShingle | Philippe Darriulat Chanter le crime à l’heure de l’invention des cafés-concerts parisiens sous le Second Empire Criminocorpus café-concert criminal complaints mass culture leisure miscellaneous news |
| title | Chanter le crime à l’heure de l’invention des cafés-concerts parisiens sous le Second Empire |
| title_full | Chanter le crime à l’heure de l’invention des cafés-concerts parisiens sous le Second Empire |
| title_fullStr | Chanter le crime à l’heure de l’invention des cafés-concerts parisiens sous le Second Empire |
| title_full_unstemmed | Chanter le crime à l’heure de l’invention des cafés-concerts parisiens sous le Second Empire |
| title_short | Chanter le crime à l’heure de l’invention des cafés-concerts parisiens sous le Second Empire |
| title_sort | chanter le crime a l heure de l invention des cafes concerts parisiens sous le second empire |
| topic | café-concert criminal complaints mass culture leisure miscellaneous news |
| url | https://journals.openedition.org/criminocorpus/8806 |
| work_keys_str_mv | AT philippedarriulat chanterlecrimealheuredelinventiondescafesconcertsparisienssouslesecondempire |