A Critique of the Literary School of Critical Realism in Iran (Based on the Stories of “Farsi Shekar Ast/Persian is Sugar” and “Gileh Mard”)
The late eighteenth and early nineteenth centuries were the time for the formation of new schools of art in Europe. The rise of realism was the result of fundamental changes in the understanding of the world and a fundamental revision of the relationship between man and the world. In post-labor Euro...
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| Format: | Article |
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Institute for Humanities and Cultural Studies (IHCS)
2021-12-01
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| Series: | پژوهشنامۀ انتقادی متون و برنامههای علوم انسانی |
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| Online Access: | https://criticalstudy.ihcs.ac.ir/article_7247_59abfdc74021314bd7e52cbaeb3da463.pdf |
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| author | Nahid Akbarzadeh Janolah Karimi Motahhar |
| author_facet | Nahid Akbarzadeh Janolah Karimi Motahhar |
| author_sort | Nahid Akbarzadeh |
| collection | DOAJ |
| description | The late eighteenth and early nineteenth centuries were the time for the formation of new schools of art in Europe. The rise of realism was the result of fundamental changes in the understanding of the world and a fundamental revision of the relationship between man and the world. In post-labor Europe, the approach of writers and poets, previously based on reason (classics) or on individual fantasies (romantics), changes dramatically and the individual's confrontation with his surroundings became the main subject of this literary school. Realism portrayed the collective feelings and realities around it. This literary school was divided into different branches, including magical realism, bourgeois, critical, surrealism, and so on. The traces of this literary school are also evident in the works of Iranian writers. Iran underwent fundamental political, social, and cultural changes in the late nineteenth and early twentieth centuries. Therefore, literary movements in Iran have undergone important changes. Following the Constitutional Revolution, land reform, the entry of the printing industry, translation of literary works, etc., the language and style of writing in Iran changed. Folk, fluent, simple, and humorous language replaced the court and official language. Short stories, footnotes, and socio-historical novels replaced didactic literature and mystical theology. |
| format | Article |
| id | doaj-art-3adfef10356a4df2b7ac8a81776e616a |
| institution | Kabale University |
| issn | 2383-1650 |
| language | fas |
| publishDate | 2021-12-01 |
| publisher | Institute for Humanities and Cultural Studies (IHCS) |
| record_format | Article |
| series | پژوهشنامۀ انتقادی متون و برنامههای علوم انسانی |
| spelling | doaj-art-3adfef10356a4df2b7ac8a81776e616a2025-01-08T05:41:39ZfasInstitute for Humanities and Cultural Studies (IHCS)پژوهشنامۀ انتقادی متون و برنامههای علوم انسانی2383-16502021-12-012110275110.30465/crtls.2021.37523.23167247A Critique of the Literary School of Critical Realism in Iran (Based on the Stories of “Farsi Shekar Ast/Persian is Sugar” and “Gileh Mard”)Nahid Akbarzadeh0Janolah Karimi Motahhar1PhD Student in Russian Literature, Moscow State University of Humanities, RussiaProfessor of Russian Language and Literature, University of Tehran, IranThe late eighteenth and early nineteenth centuries were the time for the formation of new schools of art in Europe. The rise of realism was the result of fundamental changes in the understanding of the world and a fundamental revision of the relationship between man and the world. In post-labor Europe, the approach of writers and poets, previously based on reason (classics) or on individual fantasies (romantics), changes dramatically and the individual's confrontation with his surroundings became the main subject of this literary school. Realism portrayed the collective feelings and realities around it. This literary school was divided into different branches, including magical realism, bourgeois, critical, surrealism, and so on. The traces of this literary school are also evident in the works of Iranian writers. Iran underwent fundamental political, social, and cultural changes in the late nineteenth and early twentieth centuries. Therefore, literary movements in Iran have undergone important changes. Following the Constitutional Revolution, land reform, the entry of the printing industry, translation of literary works, etc., the language and style of writing in Iran changed. Folk, fluent, simple, and humorous language replaced the court and official language. Short stories, footnotes, and socio-historical novels replaced didactic literature and mystical theology.https://criticalstudy.ihcs.ac.ir/article_7247_59abfdc74021314bd7e52cbaeb3da463.pdfrealismromanticismlabor movementsconstitutionalismpersian literature |
| spellingShingle | Nahid Akbarzadeh Janolah Karimi Motahhar A Critique of the Literary School of Critical Realism in Iran (Based on the Stories of “Farsi Shekar Ast/Persian is Sugar” and “Gileh Mard”) پژوهشنامۀ انتقادی متون و برنامههای علوم انسانی realism romanticism labor movements constitutionalism persian literature |
| title | A Critique of the Literary School of Critical Realism in Iran (Based on the Stories of “Farsi Shekar Ast/Persian is Sugar” and “Gileh Mard”) |
| title_full | A Critique of the Literary School of Critical Realism in Iran (Based on the Stories of “Farsi Shekar Ast/Persian is Sugar” and “Gileh Mard”) |
| title_fullStr | A Critique of the Literary School of Critical Realism in Iran (Based on the Stories of “Farsi Shekar Ast/Persian is Sugar” and “Gileh Mard”) |
| title_full_unstemmed | A Critique of the Literary School of Critical Realism in Iran (Based on the Stories of “Farsi Shekar Ast/Persian is Sugar” and “Gileh Mard”) |
| title_short | A Critique of the Literary School of Critical Realism in Iran (Based on the Stories of “Farsi Shekar Ast/Persian is Sugar” and “Gileh Mard”) |
| title_sort | critique of the literary school of critical realism in iran based on the stories of farsi shekar ast persian is sugar and gileh mard |
| topic | realism romanticism labor movements constitutionalism persian literature |
| url | https://criticalstudy.ihcs.ac.ir/article_7247_59abfdc74021314bd7e52cbaeb3da463.pdf |
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