Límites de la narratividad: las artes de bien morir
The artes moriendi tradition (15th-17th centuries) prototypically consists of a minimum of narrativity, the discourse form called «action description»; later texts show increasing narrativity, by means of concrete experiential data, or by particularly instantiating the enunciation. Moreover, there a...
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| Format: | Article |
| Language: | English |
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UMR 5136- France, Amériques, Espagne – Sociétés, Pouvoirs, Acteurs (FRAMESPA)
2013-06-01
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| Series: | Les Cahiers de Framespa |
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| Online Access: | https://journals.openedition.org/framespa/2407 |
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| author | Luis Galván |
| author_facet | Luis Galván |
| author_sort | Luis Galván |
| collection | DOAJ |
| description | The artes moriendi tradition (15th-17th centuries) prototypically consists of a minimum of narrativity, the discourse form called «action description»; later texts show increasing narrativity, by means of concrete experiential data, or by particularly instantiating the enunciation. Moreover, there are «internal» limits of narrativity, those between descriptive or argumentative sections, and inserted exemplary stories. A significant increase of such stories pushes some late artes moriendi towards the borders between this edifying tradition and the entertaining genres. |
| format | Article |
| id | doaj-art-3a4d7689bd9e42fa9860654e0e8b126c |
| institution | Kabale University |
| issn | 1760-4761 |
| language | English |
| publishDate | 2013-06-01 |
| publisher | UMR 5136- France, Amériques, Espagne – Sociétés, Pouvoirs, Acteurs (FRAMESPA) |
| record_format | Article |
| series | Les Cahiers de Framespa |
| spelling | doaj-art-3a4d7689bd9e42fa9860654e0e8b126c2025-01-09T15:43:23ZengUMR 5136- France, Amériques, Espagne – Sociétés, Pouvoirs, Acteurs (FRAMESPA)Les Cahiers de Framespa1760-47612013-06-011410.4000/framespa.2407Límites de la narratividad: las artes de bien morirLuis GalvánThe artes moriendi tradition (15th-17th centuries) prototypically consists of a minimum of narrativity, the discourse form called «action description»; later texts show increasing narrativity, by means of concrete experiential data, or by particularly instantiating the enunciation. Moreover, there are «internal» limits of narrativity, those between descriptive or argumentative sections, and inserted exemplary stories. A significant increase of such stories pushes some late artes moriendi towards the borders between this edifying tradition and the entertaining genres.https://journals.openedition.org/framespa/2407arts of dying wellnarrativityactionexperience |
| spellingShingle | Luis Galván Límites de la narratividad: las artes de bien morir Les Cahiers de Framespa arts of dying well narrativity action experience |
| title | Límites de la narratividad: las artes de bien morir |
| title_full | Límites de la narratividad: las artes de bien morir |
| title_fullStr | Límites de la narratividad: las artes de bien morir |
| title_full_unstemmed | Límites de la narratividad: las artes de bien morir |
| title_short | Límites de la narratividad: las artes de bien morir |
| title_sort | limites de la narratividad las artes de bien morir |
| topic | arts of dying well narrativity action experience |
| url | https://journals.openedition.org/framespa/2407 |
| work_keys_str_mv | AT luisgalvan limitesdelanarratividadlasartesdebienmorir |