Masculin/féminin dans la culture étrusque : un cas limite

This contribution sets up to question the function, or rather the functioning of ornaments in the Etruscan context. The system of ornaments is not only symbolic, but also an active dynamic system: not only does it signal a status, whatever it is, but it also legitimizes and sanctions it. Ornaments a...

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Main Author: Sophie Pérard
Format: Article
Language:English
Published: Université Lumière Lyon 2 2022-06-01
Series:Frontière·s
Online Access:https://journals.openedition.org/frontieres/1097
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author Sophie Pérard
author_facet Sophie Pérard
author_sort Sophie Pérard
collection DOAJ
description This contribution sets up to question the function, or rather the functioning of ornaments in the Etruscan context. The system of ornaments is not only symbolic, but also an active dynamic system: not only does it signal a status, whatever it is, but it also legitimizes and sanctions it. Ornaments are worn during precise stages of the human destiny, related to its metamorphoses, in all the moments of transformation of the body, which correspond to changes of statuses (rites of passage): so many limits to be crossed… Moreover, if one assesses the modality of the uses of ornaments, revealing a true system in harmony with Etruscan cosmology, one observes a specific operation, of which one of the salient points would be an indeterminacy of gender: the majority of men and women share the same elements. Nevertheless, this specificity ignores one of the essential functions of the ornament in social terms, those of the differentiation of the sexes. Thus, we observe that the masculine and the feminine do not seem to function in a system of oppositions, but of asymmetric conjunction. We, therefore, argue for a revaluation of this hypothesis where the masculine/feminine limits obey specific norms.
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spelling doaj-art-39eb42ca02ac4320941bfc9684b17f362025-01-09T12:57:16ZengUniversité Lumière Lyon 2Frontière·s2534-75352022-06-01114315410.35562/frontieres.1097Masculin/féminin dans la culture étrusque : un cas limiteSophie PérardThis contribution sets up to question the function, or rather the functioning of ornaments in the Etruscan context. The system of ornaments is not only symbolic, but also an active dynamic system: not only does it signal a status, whatever it is, but it also legitimizes and sanctions it. Ornaments are worn during precise stages of the human destiny, related to its metamorphoses, in all the moments of transformation of the body, which correspond to changes of statuses (rites of passage): so many limits to be crossed… Moreover, if one assesses the modality of the uses of ornaments, revealing a true system in harmony with Etruscan cosmology, one observes a specific operation, of which one of the salient points would be an indeterminacy of gender: the majority of men and women share the same elements. Nevertheless, this specificity ignores one of the essential functions of the ornament in social terms, those of the differentiation of the sexes. Thus, we observe that the masculine and the feminine do not seem to function in a system of oppositions, but of asymmetric conjunction. We, therefore, argue for a revaluation of this hypothesis where the masculine/feminine limits obey specific norms.https://journals.openedition.org/frontieres/1097
spellingShingle Sophie Pérard
Masculin/féminin dans la culture étrusque : un cas limite
Frontière·s
title Masculin/féminin dans la culture étrusque : un cas limite
title_full Masculin/féminin dans la culture étrusque : un cas limite
title_fullStr Masculin/féminin dans la culture étrusque : un cas limite
title_full_unstemmed Masculin/féminin dans la culture étrusque : un cas limite
title_short Masculin/féminin dans la culture étrusque : un cas limite
title_sort masculin feminin dans la culture etrusque un cas limite
url https://journals.openedition.org/frontieres/1097
work_keys_str_mv AT sophieperard masculinfeminindanslacultureetrusqueuncaslimite