Dark City, White City: Chicago’s World Columbian Exposition, 1893
L’Exposition Universelle de Chicago s’ouvre, en 1893, sur un spectacle inédit: la Cour d’Honneur de l’Exposition, illuminée par des milliers d’ampoules à incandescence, bientôt connue sous le nom de "White City". Pour des millions de visiteurs, "White City" est une révélation, et...
Saved in:
Main Author: | Hélène Valance |
---|---|
Format: | Article |
Language: | English |
Published: |
Presses Universitaires du Midi
2009-12-01
|
Series: | Anglophonia |
Subjects: | |
Online Access: | https://journals.openedition.org/acs/1726 |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
Refusing to Write Like Henry James: Women Reforming Realism in Fin-de-Siècle America
by: Sarah Wadsworth
Published: (2011-04-01) -
Toward Endless Life: Population, Machinery, and Monumental Time
by: Thomas Allen
Published: (2016-01-01) -
Soundtracks of Empire: “The White Man’s Burden,” the War in the Philippines, the“Ideals of America,” and Tin Pan Alley
by: Robert W. Rydell
Published: (2012-03-01) -
Russian Bishop in Gilded Age America
by: V. V. Pechatnov, et al.
Published: (2021-03-01) -
Patterns of Exposition 5 /
by: Decker,Randall E.
Published: (1976)