Shakespeare for all Seasons ? Richard II en Avignon : de Jean Vilar (1957) à Ariane Mnouchkine (1982)

Richard II has not often been performed on the French stage; however, in the 20th century, within a period of 35 years, two productions premiered at the same venue (the Cour d’Honneur at the open-air Avignon Festival), were so successful that they became emblematic of their times. In 1947 Jean Vilar...

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Main Author: Isabelle Schwartz-Gastine
Format: Article
Language:English
Published: Presses universitaires de Rennes 2008-03-01
Series:Revue LISA
Online Access:https://journals.openedition.org/lisa/408
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author Isabelle Schwartz-Gastine
author_facet Isabelle Schwartz-Gastine
author_sort Isabelle Schwartz-Gastine
collection DOAJ
description Richard II has not often been performed on the French stage; however, in the 20th century, within a period of 35 years, two productions premiered at the same venue (the Cour d’Honneur at the open-air Avignon Festival), were so successful that they became emblematic of their times. In 1947 Jean Vilar opened the first Avignon Festival with an ascetic, charismatic eponymous hero who came to an inner knowledge of himself in his bare prison cell; in 1982 Ariane Mnouchkine offered a splendid visual display by transposing the play into the kabuki tradition; this offered the audience breath-taking and dynamic tableaux of elaborate court ceremonies and rebellious lords.At such a distance in time, the English medieval code of honour was dealt with according to completely different theatrical principles of ethics and aesthetics, mirroring the changes in perspective within French society.
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spelling doaj-art-34564c95e54d4306ac9e482d9f09f0c82025-01-06T09:04:03ZengPresses universitaires de RennesRevue LISA1762-61532008-03-016329130410.4000/lisa.408Shakespeare for all Seasons ? Richard II en Avignon : de Jean Vilar (1957) à Ariane Mnouchkine (1982)Isabelle Schwartz-GastineRichard II has not often been performed on the French stage; however, in the 20th century, within a period of 35 years, two productions premiered at the same venue (the Cour d’Honneur at the open-air Avignon Festival), were so successful that they became emblematic of their times. In 1947 Jean Vilar opened the first Avignon Festival with an ascetic, charismatic eponymous hero who came to an inner knowledge of himself in his bare prison cell; in 1982 Ariane Mnouchkine offered a splendid visual display by transposing the play into the kabuki tradition; this offered the audience breath-taking and dynamic tableaux of elaborate court ceremonies and rebellious lords.At such a distance in time, the English medieval code of honour was dealt with according to completely different theatrical principles of ethics and aesthetics, mirroring the changes in perspective within French society.https://journals.openedition.org/lisa/408
spellingShingle Isabelle Schwartz-Gastine
Shakespeare for all Seasons ? Richard II en Avignon : de Jean Vilar (1957) à Ariane Mnouchkine (1982)
Revue LISA
title Shakespeare for all Seasons ? Richard II en Avignon : de Jean Vilar (1957) à Ariane Mnouchkine (1982)
title_full Shakespeare for all Seasons ? Richard II en Avignon : de Jean Vilar (1957) à Ariane Mnouchkine (1982)
title_fullStr Shakespeare for all Seasons ? Richard II en Avignon : de Jean Vilar (1957) à Ariane Mnouchkine (1982)
title_full_unstemmed Shakespeare for all Seasons ? Richard II en Avignon : de Jean Vilar (1957) à Ariane Mnouchkine (1982)
title_short Shakespeare for all Seasons ? Richard II en Avignon : de Jean Vilar (1957) à Ariane Mnouchkine (1982)
title_sort shakespeare for all seasons richard ii en avignon de jean vilar 1957 a ariane mnouchkine 1982
url https://journals.openedition.org/lisa/408
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