Истори я как предмет пародии в „Диалектике Переходного Времени” Виктора Пелевина
The author of this article points to Pelevin’s two main creative strategies: his use of satire which is connected with the representation of history and his inclination toward mysticism and esotericism. This article reconstructs the historical background of this work and mentions the oligarch Khodor...
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| Format: | Article |
| Language: | deu |
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Adam Mickiewicz University in Poznań
2016-02-01
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| Series: | Studia Rossica Posnaniensia |
| Online Access: | https://pressto.amu.edu.pl/index.php/strp/article/view/4953 |
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| _version_ | 1841562301264560128 |
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| author | Roman Szubin |
| author_facet | Roman Szubin |
| author_sort | Roman Szubin |
| collection | DOAJ |
| description | The author of this article points to Pelevin’s two main creative strategies: his use of satire which is connected with the representation of history and his inclination toward mysticism and esotericism. This article reconstructs the historical background of this work and mentions the oligarch Khodorkovsky, which constitutes the plot of the novel. Certain aspects of V. Pelevin’s language play are also analyzed, in particular, his tendency to change the meaning of the concept of a number in the novel: a number can be mystical; it can be seen as an image or a sign and also as a word and a part of the text. The collision of two myths – the myth about capitalist consumption and the communistic myth about restoring justice – is investigated. This article shows how dogmas and ideas that are not connected with a specific person are parodied. |
| format | Article |
| id | doaj-art-33919c5aa8154385b6fb31de686f5c2a |
| institution | Kabale University |
| issn | 0081-6884 |
| language | deu |
| publishDate | 2016-02-01 |
| publisher | Adam Mickiewicz University in Poznań |
| record_format | Article |
| series | Studia Rossica Posnaniensia |
| spelling | doaj-art-33919c5aa8154385b6fb31de686f5c2a2025-01-03T01:02:43ZdeuAdam Mickiewicz University in PoznańStudia Rossica Posnaniensia0081-68842016-02-0140110.14746/strp.2015.40.1.7Истори я как предмет пародии в „Диалектике Переходного Времени” Виктора ПелевинаRoman Szubin0Uniwersytet im. Adama Mickiewicza w Poznaniu, Poznań – Polska.The author of this article points to Pelevin’s two main creative strategies: his use of satire which is connected with the representation of history and his inclination toward mysticism and esotericism. This article reconstructs the historical background of this work and mentions the oligarch Khodorkovsky, which constitutes the plot of the novel. Certain aspects of V. Pelevin’s language play are also analyzed, in particular, his tendency to change the meaning of the concept of a number in the novel: a number can be mystical; it can be seen as an image or a sign and also as a word and a part of the text. The collision of two myths – the myth about capitalist consumption and the communistic myth about restoring justice – is investigated. This article shows how dogmas and ideas that are not connected with a specific person are parodied.https://pressto.amu.edu.pl/index.php/strp/article/view/4953 |
| spellingShingle | Roman Szubin Истори я как предмет пародии в „Диалектике Переходного Времени” Виктора Пелевина Studia Rossica Posnaniensia |
| title | Истори я как предмет пародии в „Диалектике Переходного Времени” Виктора Пелевина |
| title_full | Истори я как предмет пародии в „Диалектике Переходного Времени” Виктора Пелевина |
| title_fullStr | Истори я как предмет пародии в „Диалектике Переходного Времени” Виктора Пелевина |
| title_full_unstemmed | Истори я как предмет пародии в „Диалектике Переходного Времени” Виктора Пелевина |
| title_short | Истори я как предмет пародии в „Диалектике Переходного Времени” Виктора Пелевина |
| title_sort | истори я как предмет пародии в диалектике переходного времени виктора пелевина |
| url | https://pressto.amu.edu.pl/index.php/strp/article/view/4953 |
| work_keys_str_mv | AT romanszubin istoriâkakpredmetparodiivdialektikeperehodnogovremeniviktorapelevina |